Asteas (active between 350 and 320 BC in Paestum, Southern Italy) was one of the more active ancient Greek vase painters in Magna Graecia, practicing the red-figure style. He managed a large workshop, in which above all hydriai and kraters were painted. He painted mostly mythological and theatrical scenes. He is one of the few vase painters of the Greek colonies whose name comes down to us.
>>>PUT SHARE BUTTONS HERE<<<
In this Dossier
Asteas in the context of Phlyax play
A phlyax play (Ancient Greek: φλύαξ, pl: φλύακες, phlyakes), also known as a hilarotragedy (Ἱλαροτραγῳδία lit. 'cheerful tragedy'), was a burlesque dramatic form that developed in the Greek colonies of Magna Graecia in the 4th century BC. From the surviving fragments and titles of the plays, they appear to have been a form of mythological burlesque, which mixed figures from the Greek pantheon with the stock characters and situations of Attic Comedy.
While the plays themselves survive only as titles and a few fragments, a substantial body of South Italian vases which survive today are generally thought to represent phlyax-related imagery. These vases depict lively and entertaining theatrical scenes of contemporary Athenian comedies as well as lesser known local productions. Distinct phlyax plays, blending tragic and comic elements, became well defined only in the late 4th century BC onwards by the dramatist Rhinthon. Five authors of this genre are known by name; Rhinthon and Sciras of Taranto, Blaesus of Capri, Sopater of Paphos and Heraclides.