Artistic inspiration in the context of "Webcomic"

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⭐ Core Definition: Artistic inspiration

Inspiration (from the Latin inspirare, meaning "to breathe into") is a burst of creativity in a literary, musical, or visual art and other artistic endeavours without thinking. The concept has origins in both Hellenism and Hebraism. The Greeks believed that inspiration or "enthusiasm" came from the muses, as well as the gods Apollo and Dionysus. Similarly, in the Ancient Norse religions, inspiration derives from the gods, such as Odin. Inspiration is also a divine matter in Hebrew poetics. In the Book of Amos the prophet speaks of being overwhelmed by God's voice and compelled to speak. In Christianity, inspiration is a gift of the Holy Spirit.

In the 18th century philosopher John Locke proposed a model of the human mind in which ideas associate or resonate with one another in the mind. In the 19th century, Romantic poets such as Coleridge and Shelley believed that inspiration came to a poet because the poet was attuned to the (divine or mystical) "winds" and because the soul of the poet was able to receive such visions. In the early 20th century, psychoanalyst Sigmund Freud believed himself to have located inspiration in the inner psyche of the artist. Psychiatrist Carl Gustav Jung's theory of inspiration suggests that an artist is one who was attuned to their creative instinct which encoded the archetypes of the human mind.

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Artistic inspiration in the context of Muses

In ancient Greek religion and mythology, the Muses (Ancient Greek: Μοῦσαι, romanizedMoûsai, Greek: Μούσες, romanizedMúses) were the inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture.

The number and names of the Muses differed by region, but from the Classical period the number of Muses was standardized to nine, and their names were generally given as Calliope, Clio, Polyhymnia, Euterpe, Terpsichore, Erato, Melpomene, Thalia, and Urania.

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Artistic inspiration in the context of New-age music

New-age is a genre of music intended to create artistic inspiration, relaxation, and optimism. It is used by listeners for yoga, massage, meditation, and reading as a method of stress management to bring about a state of ecstasy rather than trance, or to create a peaceful atmosphere in homes or other environments. It is sometimes associated with environmentalism and New Age spirituality; however, most of its artists have nothing to do with "New Age spirituality", and some even reject the term.

New-age music includes both acoustic forms, featuring instruments such as flutes, piano, acoustic guitar, non-Western acoustic instruments, while also engaging with electronic forms, frequently relying on sustained synth pads or long sequencer-based runs. New-age artists often combine these approaches to create electroacoustic music. Vocal arrangements were initially rare in the genre, but as it has evolved, vocals have become more common, especially those featuring Native American-, Sanskrit-, or Tibetan-influenced chants, or lyrics based on mythology such as Celtic legends.

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Artistic inspiration in the context of Nora Barnacle

Nora Barnacle Joyce (born Norah Barnacle; 21 March 1884 – 10 April 1951) was the muse and wife of Irish author James Joyce.

Barnacle and Joyce's life together has been the subject of much popular interest. Nora Barnacle, a 1980 play by Maureen Charlton, was made about their relationship. Barnacle was the subject of a 1988 biography, Nora: A Biography of Nora Joyce, by Brenda Maddox, which was adapted into a 2000 Irish film, Nora, directed by Pat Murphy, and starring Susan Lynch and Ewan McGregor.

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