Art galleries in the context of Art cooperative


Art galleries in the context of Art cooperative

⭐ Core Definition: Art galleries

An art gallery is a room or a building in which visual art is displayed. In Western cultures from the mid-15th century, a gallery was any long, narrow covered passage along a wall, first used in the sense of a place for art in the 1590s. The long gallery in Elizabethan and Jacobean houses served many purposes including the display of art. Historically, art is displayed as evidence of status and wealth, and for religious art as objects of ritual or the depiction of narratives. The first galleries were in the palaces of the aristocracy, or in churches. As art collections grew, buildings became dedicated to art, becoming the first art museums.

Among the modern reasons art may be displayed are aesthetic enjoyment, education, historic preservation, or for marketing purposes. The term is used to refer to establishments with distinct social and economic functions, both public and private. Institutions that preserve a permanent collection may be called either "gallery of art" or "museum of art". If the latter, the rooms where art is displayed within the museum building are called galleries. Art galleries that do not maintain a collection are either commercial enterprises for the sale of artworks, or similar spaces operated by art cooperatives or non-profit organizations. As part of the art world, art galleries play an important role in maintaining the network of connections between artists, collectors, and art experts that define fine art.

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Art galleries in the context of Digital poetry

Digital poetry is a form of electronic literature, displaying a wide range of approaches to poetry, with a prominent and crucial use of computers. Digital poetry can be available in form of CD-ROM, DVD, as installations in art galleries, in certain cases also recorded as digital video or films, as digital holograms, on the World Wide Web or Internet, and as mobile phone apps.

According to Saum-Pascual (2019), digital poetry is the artistic heir to the avant-garde movements of the second half of the 20th century, including Lettrism, concrete poetry, and conceptual poetry.

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Art galleries in the context of Palazzo Bianco (Genoa)

Palazzo Bianco (English: White Palace) is one of the main buildings of the center of Genoa, Italy. It is situated at 11, via Garibaldi (known at one time as Strada Nuova, and before that, Via Aurea). It is one of the Palazzi dei Rolli, but it is not listed by UNESCO as World Heritage Site.

It contains the Gallery of the White Palace, one of the larger city art galleries, and together with those of its neighbors Palazzo Rosso and Palazzo Doria Tursi, it forms part of the Strada Nuova Museums, a cluster of museums at that end of the street.

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Art galleries in the context of Serpentine Gallery

The Serpentine Galleries are two contemporary art galleries in Kensington Gardens, Westminster, Greater London. Recently rebranded to just Serpentine, the organisation is split across Serpentine South (previously known as the Serpentine Gallery) and Serpentine North (previously known as the Sackler Gallery).

The gallery spaces are within five minutes' walk of each other, linked by the bridge over the Serpentine Lake from which the galleries get their names. Their exhibitions, architecture, education and public programmes attract up to 1.2 million visitors a year. Admission to both galleries is free. The CEO is Bettina Korek, and the artistic director Hans Ulrich Obrist.

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