Art colony in the context of MacDowell (artists' residency and workshop)

Carmel-by-the-Sea (/kɑːrˈmɛl/), commonly known simply as Carmel, is a city in Monterey County, California, located on the Central Coast of California. As of the 2020 census, the city had a population of 3,220, down from 3,722 at the 2010 census. Situated on the Monterey Peninsula, Carmel is a tourist destination, known for its natural scenery and artistic history.

The Spanish founded a settlement in 1771, when Mission San Carlos Borromeo de Carmelo was relocated by St. Junípero Serra from Monterey. Mission Carmel served as the headquarters of the Californian mission system, until the Mexican secularization act of 1833, when the area was divided into rancho grants. The settlement was largely abandoned by the U.S. Conquest of California in 1848 and stayed undeveloped until Santiago J. Duckworth built a summer colony in 1888. When the Carmel Development Company was formed in 1902, Carmel became an art colony and seaside resort, which incorporated in 1916.

Marian MacDowell (maiden name Marian Griswold Nevins) (November 22, 1858 – August 24, 1956) was an American pianist and philanthropist. In 1907, she and her husband Edward MacDowell founded the MacDowell residency for artists in Peterborough, New Hampshire. Her leadership of the artist retreat through two world wars, the Great Depression and other challenges created one of the foremost cultural institutions in the United States, which cultivated the work of generations of musicians, writers, poets, sculptors, and visual artists.

The Cornish Art Colony (or Cornish Artists’ Colony, or Cornish Colony) was a popular art colony centered in Cornish, New Hampshire, from about 1895 through the years of World War I. Attracted by the natural beauty of the area, about 100 artists, sculptors, writers, designers, and politicians lived there either full-time or during the summer months. With views across the Connecticut River Valley to Mount Ascutney in Vermont, the bucolic scenery was considered to resemble that of an Italian landscape.

The central figure of the Cornish Colony was Augustus Saint-Gaudens. Beginning around 1885, Augustus attracted a summer colony of artists that grew into a single extended social network. Some were related, some were friends, some were promising students from the Art Students League of New York that Saint-Gaudens had co-founded, and some were Saint-Gaudens' assistants who developed significant careers of their own.

Schwaan (German pronunciation: [ʃvaːn] ) is a municipality in the Rostock district, in Mecklenburg-Vorpommern, Germany. It is also the seat of the Schwaan Township, serving another six municipalities.

The town is famous for being a traditional art colony.

The Nagybánya artists' colony was an art colony in Nagybánya, a town in eastern Hungary that became Baia Mare in Romania after World War I. The colony started as a summer retreat for artists, mainly painters from Simon Hollósy's szabadiskola (Free School) in Munich. The original group focused on plein-air painting.

It was Hollósy's idea to have a summer school in a small town. Fellow artists Károly Ferenczy, Béla Iványi-Grünwald, István Réti and János Thorma were involved with the founding of the artists' colony. The colony attracted many artists from Hungary interested in learning the plein-air style taught by Hollósy in the bright atmosphere of Nagybánya. The colony held its first exhibition in 1897 at the Műcsarnok. It was well received by some critics as reflecting the new and innovative style of European painting and ridiculed by other critics for its departure from traditional forms and techniques. Through the course of its existence the teachers and students worked in the emerging modern styles such as Expressionism, Fauvism, Cubism, and Symbolism. Some styles were adopted and some rejected, along with the allegiance of various artists.