Arranger in the context of "Transition (music)"

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⭐ Core Definition: Arranger

In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety". In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a head arrangement.

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Arranger in the context of Musical composition

Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score", which is then performed by the composer or by other musicians. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will play the different parts of music, such as the melody, accompaniment, countermelody, bassline and so on) is typically done by the composer, but in musical theatre and in pop music, songwriters may hire an arranger to do the orchestration. In some cases, a pop or traditional songwriter may not use written notation at all and instead compose the song in their mind and then play, sing or record it from memory. In jazz and popular music, notable sound recordings by influential performers are given the weight that written or printed scores play in classical music.

Although a musical composition often uses musical notation and has a single author, this is not always the case. A work of music can have multiple composers, which often occurs in popular music when all members of a band collaborate to write a song or in musical theatre, when one person writes the melodies, a second person writes the lyrics and a third person orchestrates the songs.

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Arranger in the context of Copyist

A copyist is a person who makes duplications of the same thing. The modern use of the term is mainly confined to music copyists, who are employed by the music industry to produce neat copies from a composer or arranger's manuscript. However, the term is sometimes used for artists who make copies of other artists' paintings.

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Arranger in the context of Wilfred Jackson

Wilfred Emmons Jackson (January 24, 1906 – August 7, 1988) was an American animator, musical arranger and director best known for his work with Walt Disney Productions.

Jackson joined Walt Disney Productions in 1928 as a volunteer washing animation cels. He was soon promoted to an animator and was instrumental in developing the Mickey Mousing technique, which synchronized the music and action for Steamboat Willie (1928). He was then made the director for the Mickey Mouse and Silly Symphonies cartoon series, of which he directed the Academy Award-winning short films: The Tortoise and the Hare (1935), The Country Cousin (1936), and The Old Mill (1937). His feature film directorial debut was Snow White and the Seven Dwarfs (1937).

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Arranger in the context of John Reading (copyist)

John Reading (c. 1685/86 – 2 September 1764) was an English composer, organist and copyist (his name, like the town, is pronounced "Redding"—a spelling variant of his name which occurs in several documents). His greatest importance lies in his work as a transcriber, arranger, and copyist of a wide variety of music.

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Arranger in the context of Count Basie

William James "Count" Basie (/ˈbsi/; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, his minimalist piano style, and others.

Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Dennis Rowland, Thelma Carpenter, and Joe Williams.

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