Ark of the Covenant in the context of "Parochet"

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⭐ Core Definition: Ark of the Covenant

The Ark of the Covenant, also known as the Ark of the Testimony or the Ark of God, was a religious storage chest and relic held to be the most sacred object by the Israelites.

Religious tradition describes it as a wooden storage chest decorated in solid gold accompanied by an ornamental lid known as the Seat of Mercy. According to the Book of Exodus and First Book of Kings in the Hebrew Bible and the Old Testament, the Ark contained the Tablets of the Law, by which God delivered the Ten Commandments to Moses at Mount Sinai. According to the Book of Exodus, the Book of Numbers, and the Epistle to the Hebrews in the New Testament, it also contained Aaron's rod and a pot of manna. The biblical account relates that approximately one year after the Israelites' exodus from Egypt, the Ark was created according to the pattern that God gave to Moses when the Israelites were encamped at the foot of Mount Sinai. Thereafter, the gold-plated acacia chest's staves were lifted and carried by the Levites approximately 2,000 cubits (800 meters or 2,600 feet) in advance of the people while they marched. God spoke with Moses "from between the two cherubim" on the Ark's cover.

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Ark of the Covenant in the context of Solomon's Temple

Solomon's Temple, also known as the First Temple (Hebrew: בַּיִת רִאשׁוֹן, romanizedBayyit Rīšōn, lit.'First Temple'), was a biblical Temple in Jerusalem believed to have existed between the 10th and 6th centuries BCE. Its description is largely based on narratives in the Hebrew Bible, in which it was commissioned by biblical king Solomon before being destroyed during the Siege of Jerusalem by Nebuchadnezzar II of the Neo-Babylonian Empire in 587 BCE. No excavations are allowed on the Temple Mount, and no positively identified remains of the destroyed temple have been found. Most modern scholars agree that the First Temple existed on the Temple Mount in Jerusalem by the time of the Babylonian siege, and there is significant debate among scholars over the date of its construction and the identity of its builder.

The Hebrew Bible, specifically within the Book of Kings, includes a detailed narrative about the construction's ordering by Solomon, the penultimate ruler of the United Kingdom of Israel. It further credits Solomon as the placer of the Ark of the Covenant in the Holy of Holies, a windowless inner sanctum within the structure. Entry into the Holy of Holies was heavily restricted; the High Priest of Israel was the only authority permitted to enter the sanctuary, and only did so on Yom Kippur, carrying the blood of a sacrificial lamb and burning incense. In addition to serving as a religious building for worship, the First Temple also functioned as a place of assembly for the Israelites. The First Temple's destruction and the subsequent Babylonian captivity were both events that were seen as a fulfillment of biblical prophecies and thus affected Judaic religious beliefs, precipitating the Israelites' transition from either polytheism or monolatrism (as seen in Yahwism) to firm Jewish monotheism.

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Ark of the Covenant in the context of Royal cubit

The cubit is an ancient unit of length based on the distance from the elbow to the tip of the middle finger. It was primarily associated with the Sumerians, Egyptians, and Israelites. The term cubit is found in the Bible regarding Noah's Ark, the Ark of the Covenant, the Tabernacle, and Solomon's Temple. The common cubit was divided into 6 palms × 4 fingers = 24 digits. Royal cubits added a palm for 7 palms × 4 fingers = 28 digits. These lengths typically ranged from 44.4 to 52.92 cm (1 ft 5+12 in to 1 ft 8+1316 in), with an ancient Roman cubit being as long as 120 cm (3 ft 11 in).

Cubits of various lengths were employed in many parts of the world in antiquity, during the Middle Ages and as recently as early modern times. The term is still used in hedgelaying, the length of the forearm being frequently used to determine the interval between stakes placed within the hedge.

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Ark of the Covenant in the context of Iconostasis

In Eastern Christianity, an iconostasis (Greek: εἰκονοστάσιον) is a wall of icons and religious paintings, separating the nave from the sanctuary in a church. Iconostasis also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine templon, a process complete by the 15th century.

A direct comparison for the function of the main iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts. The holiest and inner-most portion was that where the Ark of the Covenant was kept. This portion, the Holy of Holies, was separated from the second larger part of the building's interior by a curtain, the "veil of the temple". Only the High Priest was allowed to enter the Holy of Holies. The third part was the entrance court.

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Ark of the Covenant in the context of Holy Doors

The royal doors, holy doors, or beautiful gates are the central doors of the iconostasis in an Eastern Orthodox or Eastern Catholic church. The sanctuary (sometimes called the Altar, which contains the Holy Table) is separated from the nave by a wooden screen called the iconostasis. The iconostasis represents Christian continuity from the veil of the Temple in Jerusalem which separated the people from the Holy of Holies that housed the Ark of the Covenant. Normally, the iconostasis has three doors in it. The two single doors to the right and left are called "deacons' doors" or "angel doors" and they usually have on them icons of either sainted deacons (Saint Stephen, Saint Lawrence, etc.) or the Archangels Michael and Gabriel. These are the doors that the clergy will normally use when entering the sanctuary. The central double doors are the "holy doors" (Slavonic: Svyatýa Vratá), which are considered to be most sacred, and may only be entered at certain sacred moments during the services, and only by ordained clergy (deacons, priests, bishops).

The term Royal Doors (Greek: Ωραία Πύλη: Slavonic: Tsárskiya Vratá) is commonly used to describe the Holy Doors, because Christ passes through these gates during the Great Entrance at the Divine Liturgy (and most especially during the Liturgy of the Presanctified Gifts). More properly, however, these doors should be called the "Beautiful Gate", and in Greek this is the only term used, although the official English sites of the Ecumenical Patriarchate, the Orthodox Church in America and the Antiochian Orthodox Church all use the term "Royal Doors". In Russia, they are sometimes called the "Red Gates", red being synonymous with beautiful.

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Ark of the Covenant in the context of Ten Commandments

The Ten Commandments (Biblical Hebrew: עֲשֶׂרֶת הַדְּבָרִים, romanized: ʿĂśéreṯ had-Dəḇārîm, lit.'The Ten Words'), or the Decalogue (from Latin decalogus, from Ancient Greek δεκάλογος, dekálogos, lit.'ten words'), are religious and ethical directives, structured as a covenant document, that, according to the Hebrew Bible, were given by God to Moses. The text of the Ten Commandments appears in three markedly distinct versions in the Hebrew Bible: at Exodus 20:1–17, Deuteronomy 5:6–21, and the "Ritual Decalogue" of Exodus 34:11–26.

The biblical narrative describes how God revealed the Ten Commandments to the Israelites at Mount Sinai amidst thunder and fire, gave Moses two stone tablets inscribed with the law, which he later broke in anger after witnessing the worship of a golden calf, and then received a second set of tablets to be placed in the Ark of the Covenant. Scholars have proposed a range of dates and contexts for the origins of the Decalogue. Interpretations of its content vary widely, reflecting debates over its legal, political, and theological development, its relation to ancient treaty forms, and differing views on authorship and emphasis on ritual versus ethics.

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Ark of the Covenant in the context of Tabernacle

According to the Hebrew Bible, the tabernacle (Hebrew: מִשְׁכָּן, romanizedmiškān, lit.'residence, dwelling place'), also known as the Tent of the Congregation (Hebrew: אֹהֶל מוֹעֵד, romanized: ʔohel mōʕēḏ, also Tent of Meeting), was the portable earthly dwelling of God used by the Israelites from the Exodus until the conquest of Canaan. Moses was instructed at Mount Sinai to construct and transport the tabernacle with the Israelites on their journey through the wilderness and their subsequent conquest of the Promised Land. Based on 1 Kings 6:1, biblical literalists hold that after either 480 (Masoretic version) or 440 years (Septuagint version), Solomon's Temple in Jerusalem superseded it as God's dwelling-place.

The main source describing the tabernacle is the biblical Book of Exodus, specifically Exodus 25–31 and 35–40. Those passages describe an inner sanctuary, the Holy of Holies, created by the veil suspended by four pillars. This sanctuary contained the Ark of the Covenant, with its cherubim-covered mercy seat. An outer sanctuary (the "Holy Place") contained a gold lamp-stand or candlestick. On the north side stood a table, on which lay the showbread. On the south side was the Menorah, holding seven oil lamps to give light. On the west side, just before the veil, was the golden altar of incense. It was constructed of 4 woven layers of curtains and 48 4.6 m (15 ft) tall standing wood boards overlaid in gold and held in place by its bars and silver sockets and was richly furnished with valuable materials taken from Egypt at God's command.

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Ark of the Covenant in the context of Raiders of the Lost Ark

Raiders of the Lost Ark is a 1981 American action-adventure film directed by Steven Spielberg and written by Lawrence Kasdan, based on a story by George Lucas and Philip Kaufman. Set in 1936, the film stars Harrison Ford as Indiana Jones, a globetrotting archaeologist vying with Nazi German forces to recover the long-lost Ark of the Covenant which is said to make an army invincible. Teaming up with his tough former romantic interest Marion Ravenwood (Karen Allen), Jones races to stop rival archaeologist René Belloq (Paul Freeman) from guiding the Nazis to the Ark and its power.

Lucas conceived Raiders of the Lost Ark in the early 1970s. Seeking to modernize the serial films of the early 20th century, he developed the idea further with Kaufman, who suggested the Ark as the film's goal. Lucas eventually focused on developing his 1977 film Star Wars. Development on Raiders of the Lost Ark resumed that year when he shared the idea with Spielberg, who joined the project several months later. While the pair had ideas for set pieces and stunts for the film, they hired Kasdan to fill in the narrative gaps between them. Principal photography began in June 1980 on a $20 million budget, and concluded that September. Filming took place on sets at Elstree Studios, England, and on location mainly in La Rochelle, France, Tunisia, and Hawaii.

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