Architecture of Denmark in the context of "Frederick II of Denmark"

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⭐ Core Definition: Architecture of Denmark

The architecture of Denmark has its origins in the Viking Age, revealed by archaeological finds. It was established in the Middle Ages when first Romanesque, then Gothic churches and cathedrals, were built throughout the country. During this period, brick became the construction material of choice for churches, fortifications and castles, as the country had little access to stone.

Under the influence of Frederick II and Christian IV, both of whom had been inspired by the castles of France, Dutch and Flemish designers were brought to Denmark to improve the country's fortifications. They increasingly transitioned to building magnificent royal castles and palaces in the Renaissance style. In parallel, the half-timbered style became popular for ordinary dwellings in towns and villages across the country.

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Architecture of Denmark in the context of Danish Golden Age

The Danish Golden Age (Danish: guldalderen, lit.'the golden age') covers a period of exceptional creative production in Denmark, especially during the first half of the 19th century. Although Copenhagen had suffered from fires, bombardment and national bankruptcy, the arts took on a new period of creativity catalysed by Romanticism from Germany. The period is probably most commonly associated with the Golden Age of Danish Painting from 1800 to around 1850 which encompasses the work of Christoffer Wilhelm Eckersberg and his students, including Wilhelm Bendz, Christen Købke, Martinus Rørbye, Constantin Hansen and Wilhelm Marstrand, as well as the sculpture of Bertel Thorvaldsen.

It also saw the development of Danish architecture in the Neoclassical style. Copenhagen, in particular, acquired a new look, with buildings designed by Christian Frederik Hansen and Michael Gottlieb Bindesbøll.

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Architecture of Denmark in the context of Michael Gottlieb Bindesbøll

Michael Gottlieb Birckner Bindesbøll (5 September 1800 – 14 July 1856) was a Danish architect active during the Danish Golden Age in the first half of the 19th century. Most known for his design of Thorvaldsens Museum in Copenhagen, he was a key figure in the stylistic shift in Danish architecture from late classicism to Historicism. He was the father of the designer Thorvald Bindesbøll and the textile artist Johanne Bindesbøll.

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Architecture of Denmark in the context of Petrine Baroque

Petrine Baroque (Russian: Петровское барокко) is a style of 17th and 18th century Baroque architecture and decoration favoured by Peter the Great and employed to design buildings in the newly founded Russian capital, Saint Petersburg, under this monarch and his immediate successors.

Different from contemporary Naryshkin Baroque, favoured in Moscow, the Petrine Baroque represented a dramatic departure from Byzantine traditions that had dominated Russian architecture for almost a millennium. Its chief practitioners - Domenico Trezzini, Andreas Schlüter, and Mikhail Zemtsov - drew inspiration from a rather modest Dutch, Danish, and Swedish architecture of the time.

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