Apocalypse Tapestry in the context of "Louis I, Duke of Anjou"

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⭐ Core Definition: Apocalypse Tapestry

The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, Duke of Anjou, and woven in Paris between 1377 and 1382. It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.

It is the most significant, and almost the only, survival from the first decades of the great period of tapestry, when the industry developed large workshops and represented the most effective art form for exhibiting the magnificence of royal patrons, not least because large tapestries were hugely expensive. The period began in about 1350, and lasted until at least the 17th century, as tapestry was gradually overtaken in importance by paintings. At this early point relatively few tapestries were made to designs specified by the patron, which seems clearly to have been the case here.

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In this Dossier

Apocalypse Tapestry in the context of The Beast (Revelation)

The Beast (Koine Greek: Θηρίον, Thērion) may refer to one of three beasts described in the Book of Revelation.

Revelation 12-13 describes these three beasts as follows:

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Apocalypse Tapestry in the context of Château d'Angers

The Château d'Angers is a castle in the city of Angers in the Loire Valley, in the département of Maine-et-Loire, in France. Founded in the 9th century by the Counts of Anjou, it was expanded to its current size in the 13th century. It is located overhanging the River Maine. It is a listed historical monument since 1875. Now open to the public, the Château d'Angers is home of the Apocalypse Tapestry.

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Apocalypse Tapestry in the context of Jean Bondol

Jean Bondol, also known as Jean de Bruges, Jean Boudolf, or Jan Baudolf, was a Flemish artist who became a court artist of Charles V of France in 1368. He is documented as active between 1368 and 1381.

He is best known for producing a number of designs for tapestries, of which the only documented survivals are the huge and very important Apocalypse Tapestry series now at Angers. He painted the illuminations for the Bible historiale de Jean de Vaudetar [fr], a translation of the Vulgate which was presented to Charles V by his valet de chambre Jehan Vaudetar. It is now in the Westreen Museum at the Hague. These illuminations were executed in the year 1371, a period when art in the Netherlands was making rapid advances beyond the conventionality of the early 14th century, and the work of Jean de Bruges is by no means behind that of his contemporaries.

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