Antagonist in the context of "Bluto"

A protagonist (from Ancient Greek πρωταγωνιστής prōtagōnistḗs 'one who plays the first part, chief actor') is the main character of a story. The protagonist makes key decisions that affect the plot, primarily influencing the story and propelling it forward, and is often the character who faces the most significant obstacles and choices. If a story contains a subplot, or is a narrative made up of several stories, then each subplot may have its own protagonist.

The protagonist is the character whose fate is most closely followed by the reader or audience, and who is opposed by the antagonist. The antagonist provides obstacles and complications and creates conflicts that test the protagonist, revealing the strengths and weaknesses of the protagonist's character, and having the protagonist develop as a result. A particularly noble, virtuous, or accomplished protagonist is commonly called a hero, though the terms are not synonyms.

Lord Macduff, the Thane of Fife, is a character and the heroic main antagonist in William Shakespeare's Macbeth (c.1603–1607) that is loosely based on history. Macduff, a legendary hero, plays a pivotal role in the play: he suspects Macbeth of regicide and eventually kills Macbeth in the final act. He can be seen as the avenging hero who helps save Scotland from Macbeth's tyranny in the play.

The character is first known from Chronica Gentis Scotorum (late 14th century) and Orygynale Cronykil of Scotland (early 15th century). Shakespeare drew mostly from Holinshed's Chronicles (1587).

The Big Bad Wolf is a fictional wolf appearing in several cautionary tales, including some of Grimms' Fairy Tales. Versions of this character have appeared in numerous works, and it has become a generic archetype of a menacing predatory antagonist.

Grendel is a fictional character in the Anglo-Saxon epic poem Beowulf (700–1000 AD). He is one of the poem's three antagonists (along with his mother and the dragon), all aligned in opposition against the protagonist Beowulf. He is referred to as both an eoten and a þyrs, types of beings from wider Germanic mythology. He is also described as a descendant of the Biblical Cain and "a creature of darkness, exiled from happiness and accursed of God, the destroyer and devourer of our human kind." He is usually depicted as a monster or a giant, although his status as a monster, giant, or other form of supernatural being is not clearly described in the poem and thus remains the subject of scholarly debate. The character of Grendel and his role in the story of Beowulf have been subject to numerous reinterpretations and re-imaginings. Grendel is feared by all in Heorot but Beowulf, who kills both him and his mother.

Grendel's mother (Old English: Grendles mōdor) or Mrs. Grendel is one of three antagonists in the anonymous Old English poem Beowulf (c. 700–1000 AD), the other two being Grendel himself and the dragon. Each antagonist reflects different negative aspects of both the hero Beowulf and the heroic society in which the poem is set. Grendel's mother is introduced in lines 1258b to 1259a as: "Grendles modor/ides, aglæcwif".

Grendel's mother, who is never given a name in the text, is the subject of an ongoing controversy among medieval scholars. This controversy is due to the ambiguity of a few words in Old English which appear in the original Beowulf manuscript. While there is agreement over the word "modor" (mother), the phrase "ides, aglæcwif" is the subject of scholarly debate.

In fiction, a subplot or side story is a strand of the plot that is a supporting side story for any story or for the main plot. Subplots may connect to main plots, in either time and place or thematic significance. Subplots often involve supporting characters, those besides the protagonist or antagonist. Subplots may also intertwine with the main plot at some point in a story.

An example of a subplot interacting with a main plot can be found in the TV series Mr. Robot (season 1). One of the main plots followed the hacker ring known as F-society, led by Elliot Alderson, in which they intended to perform a massive hack against the conglomerate Evil Corp; they were executing this hack through a partnership with another hack-ring known as The Dark Army. A subplot emerged around the character development of Elliot's childhood friend and love interest Angela Moss, in which she evolved from a brow-beaten assistant at cybersecurity firm Allsafe into a powerbroker at Evil Corp through first leading a massive lawsuit against them. During an early point of this subplot, Angela Moss is blackmailed by The Dark Army into installing spyware (surveillance malware) into an Allsafe computer (the cybersecurity firm responsible for protecting Evil Corp). The result of her action in this subplot ended up affecting the main plot when F-society was ready to initiate the hack against Evil Corp. The Dark Army decided to back out from participating in the hack because of information they learned as a result of Angela Moss installing the spyware. Without The Dark Army's support, F-society was unable to initiate the hack and had to realign their strategy, thus introducing a new obstacle in the main plot that had to be overcome. Throughout the story, her subplot repeatedly affected this main plot.

The Lord of the Rings is an epic high fantasy novel written by the English author and scholar J. R. R. Tolkien. Set in Middle-earth, the story began as a sequel to Tolkien's 1937 children's book The Hobbit but eventually developed into a much larger work. Written in stages between 1937 and 1949, The Lord of the Rings is one of the best-selling books ever written, with over 150 million copies sold.

The title refers to the story's main antagonist, the Dark Lord Sauron, who in an earlier age created the One Ring, allowing him to rule the other Rings of Power given to men, dwarves, and elves, in his campaign to conquer all of Middle-earth. From homely beginnings in the Shire, a hobbit land reminiscent of the English countryside, the story ranges across Middle-earth, following the quest to destroy the One Ring, seen mainly through the eyes of the hobbits Frodo, Sam, Merry, and Pippin. Aiding the hobbits are the wizard Gandalf, the men Aragorn and Boromir, the elf Legolas, and the dwarf Gimli, who unite as the Company of the Ring to rally the Free Peoples of Middle-earth against Sauron's armies and give Frodo a chance to destroy the One Ring in the fires of Mount Doom.

Lord Voldemort (/ˈvoʊldəmɔːr/ VOHL-də-mor, /-mɔːrt/ -⁠mort in the films) is a fictional character and the main antagonist in the Harry Potter series of novels by J. K. Rowling. He first appears in Harry Potter and the Philosopher's Stone (1997) and returns either in person or in flashbacks in each novel in the series except the third, Harry Potter and the Prisoner of Azkaban, in which he is only mentioned.

Voldemort, an anagrammatic sobriquet for his birth name Tom Marvolo Riddle, is the archenemy of Harry Potter, who according to a prophecy has "the power to vanquish the Dark Lord". After killing Harry's parents, Lily and James Potter, he attempts to murder the boy, but instead leaves him with a scar on his forehead in the shape of a lightning bolt. Nearly every witch or wizard dares not utter his name and refers to him instead with such monikers as "You-Know-Who", "He-Who-Must-Not-Be-Named", or The Dark Lord. Voldemort's obsession with blood purity signifies his aim to rid the wizarding world of Muggle (non-magical) heritage and to conquer both worlds, Muggle and wizarding, to achieve pure-blood dominance. Through his mother's family, he is the last descendant of the wizard Salazar Slytherin, one of the four founders of Hogwarts School of Witchcraft and Wizardry. He is the leader of the Death Eaters, a group of wizards and witches dedicated to ridding the Wizarding World of Muggles and establishing Voldemort as its supreme ruler.

Frankenstein's monster, commonly referred to as Frankenstein, is a fictional character that first appeared in Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus as its main antagonist. Shelley's title compares the monster's creator, Victor Frankenstein, to the mythological character Prometheus, who fashioned humans out of clay and gave them fire.

In Shelley's Gothic story, Victor Frankenstein builds the creature in his laboratory through an ambiguous method based on a scientific principle he discovered. Shelley describes the monster as 8 feet (240 cm) tall and emotional. The monster attempts to fit into human society but is shunned, which leads him to seek revenge against Frankenstein. According to the scholar Joseph Carroll, the monster occupies "a border territory between the characteristics that typically define protagonists and antagonists".

The Queen of Hearts is a fictional character and the main antagonist in the 1865 book Alice's Adventures in Wonderland by Lewis Carroll. She is a childish, foul-tempered monarch whom Carroll himself describes as "a blind fury", and who is quick to give death sentences at even the slightest of offenses. One of her most famous lines is the oft-repeated "Off with his/her head!" / "Off with their heads!"

The Queen is referred to as a card from a pack of playing cards by Alice, yet somehow she is able to talk and is the ruler of the lands in the story, alongside her husband, the King of Hearts. She is often confused with the Red Queen from the 1871 sequel, Through the Looking-Glass, although the two are different characters.

Iago (/iˈɑːɡoʊ/) is a fictional character in Shakespeare's Othello (c. 1601–1604). Iago is the play's main antagonist and Othello's standard-bearer. He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona. Iago hates Othello and devises a plan to destroy him by making him believe that Desdemona is having an affair with his lieutenant, Michael Cassio. With 1,097 lines, Iago has more lines in the play than Othello himself.

The Martians, also known as the Invaders, are the main antagonists from the H.G. Wells 1898 novel The War of the Worlds. Their efforts to exterminate the populace of the Earth and claim the planet for themselves drive the plot and present challenges for the novel's human characters. They are notable for their use of extraterrestrial weaponry far in advance of that of mankind at the time of the invasion.

The mad scientist (also mad doctor or mad professor) is a stock character of a scientist who is perceived as "mad, bad and dangerous to know" or "insane" owing to a combination of unusual or unsettling personality traits and the unabashedly ambitious, taboo or hubristic nature of their experiments. As a motif in fiction, the mad scientist may be villainous (evil genius) or antagonistic, benign, or neutral; may be insane, eccentric, or clumsy; and often works with fictional technology or fails to recognise or value common human objections to attempting to play God. Some may have benevolent intentions, even if their actions are dangerous or questionable, which can make them accidental antagonists.

In any narrative, a foil is a character who contrasts with another character, typically, a character who contrasts with the protagonist, in order to better highlight or differentiate certain qualities of the protagonist. A foil to the protagonist may also be the antagonist of the plot.

In some cases, a subplot can be used as a foil to the main plot. This is especially true in the case of metafiction and the "story within a story" motif.

A supporting character, also known as a side character, is a character in a narrative that is not the focus of the primary storyline, but is important to the plot/protagonist, and appears or is mentioned in the story enough to be more than just a minor character or a cameo appearance. Supporting characters differ from minor characters because they have complex backstory of their own, desires, and emotions. While this is usually in relation to the main character, rather than entirely independently, developed supporting characters add layers and dimension to the story and the protagonist. These back stories can increase the plot or further develop the main character. Different supporting characters have different roles. Some common types of supporting characters include: love interest, antagonist, best friend, mentor, sidekick, comic relief, and caregiver. Each supporting character has their own role that advances the plot and brings about conflict. Often, supporting characters can cross over into different tropes. Some examples of well-known supporting characters include Watson in the Sherlock Holmes stories, Donkey in the Shrek films, and Ron Weasley in the Harry Potter franchise. No matter what type of supporting character, they all help the protagonist achieve their purpose, advance the story, or have personal growth. Supporting characters fit into three broad categories: supporters, antagonists, and informants.

Supporters include caregivers, love interests, comedic relief, and close friends. They are generally important to the protagonist, so they often become the target or victim to the antagonist. They also characterize the protagonist through dialogue and their relationship. They offer the protagonist aid, companionship, and physical or emotional help. Ron Weasley and Hermione Granger in the Harry Potter series are examples of supporters.

In fiction and mythology, a dark lord (sometimes capitalized as Dark Lord or referred to as an evil overlord or evil emperor) is an antagonistic archetype, acting as the pinnacle of villainy and evil within a typically heroic narrative.

Sauron (/ˈsaʊərɒn/) is the title character and the main antagonist in J. R. R. Tolkien's The Lord of the Rings, where he rules the land of Mordor. He has the ambition of ruling the whole of Middle-earth using the power of the One Ring, which he has lost and seeks to recapture. In the same work, he is identified as the "Necromancer" of Tolkien's earlier novel The Hobbit. The Silmarillion describes him as the chief lieutenant of the first Dark Lord, Morgoth. Tolkien noted that the Ainur, the "angelic" powers of his constructed myth, "were capable of many degrees of error and failing", but by far the worst was "the absolute Satanic rebellion and evil of Morgoth and his satellite Sauron". Sauron appears most often as "the Eye", as if disembodied.

Tolkien, while denying that absolute evil could exist, stated that Sauron came as near to a wholly evil will as was possible. Commentators have compared Sauron to the title character of Bram Stoker's 1897 novel Dracula, and to Balor of the Evil Eye in Irish mythology. Sauron is briefly seen in a humanoid form in Peter Jackson's film trilogy, which otherwise shows him as a disembodied, flaming Eye.

The Red Queen is a fictional character and the main antagonist in Lewis Carroll's fantasy 1871 novel Through the Looking-Glass. She is often confused with the Queen of Hearts from the previous book Alice's Adventures in Wonderland (1865), although the two are very different.