Annunciation (van Eyck, Washington) in the context of Seven rays


Annunciation (van Eyck, Washington) in the context of Seven rays

⭐ Core Definition: Annunciation (van Eyck, Washington)

The Annunciation is an oil painting by the Early Netherlandish master Jan van Eyck, from around 1434–1436. The panel is housed in the National Gallery of Art in Washington, D.C. It was originally on panel but has been transferred to canvas. It is thought that it was the left (inner) wing of a triptych; there has been no sighting of the other wings since before 1817. The Annunciation is a highly complex work whose iconography is still debated by art historians. It was bought by the Tsar of Russia for the Hermitage Museum, but was sold by Stalin's government in 1930.

The picture depicts the Annunciation by the Archangel Gabriel to the Virgin Mary that she will bear the son of God (Luke 1:26–38). The inscription shows his words: AVE GRA PLENA ('Hail, full of grace...'). She modestly draws back and responds, ECCE ANCILLA D[OMI]NI ('Behold the handmaiden of the Lord'). The words appear upside down because they are directed to God and are therefore inscribed with a God's-eye view. The seven gifts of the Holy Spirit descend to her on seven rays of light from the upper window to the left, with the dove symbolizing the Holy Spirit following the same path; "[t]his is the moment God's plan for salvation is set in motion. Through Christ's human incarnation the old era of the Law is transformed into a new era of Grace".

↓ Menu
HINT:

In this Dossier

Annunciation (van Eyck, Washington) in the context of Underdrawing

Underdrawing is a preparatory drawing done on a painting ground before paint is applied, for example, an imprimatura or an underpainting. Underdrawing was used extensively by 15th century painters like Jan van Eyck and Rogier van der Weyden. These artists "underdrew" with a brush, using hatching strokes for shading, using water-based black paint, before underpainting and overpainting with oils. Cennino D'Andrea Cennini (14th century most likely) describes a different type of underdrawing, made with graded tones rather than hatching, for egg tempera.

In some cases, underdrawing can be clearly visualized using infrared reflectography because carbon black pigments absorb infrared light, whereas opaque pigments such as lead white are transparent with infrared light. Underdrawing in many works, for example, the Annunciation (van Eyck, Washington) or the Arnolfini Portrait, reveals that artists made alterations, sometimes radical ones, to their compositions.

View the full Wikipedia page for Underdrawing
↑ Return to Menu