Ancient Greek poetry in the context of "Foot (poetry)"

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⭐ Core Definition: Ancient Greek poetry

Ancient Greek literature is literature written in the Ancient Greek language from the earliest texts until the time of the Byzantine Empire. The earliest surviving works of ancient Greek literature, dating back to the early Archaic period, are the two epic poems the Iliad and the Odyssey, set in an idealized archaic past today identified as having some relation to the Mycenaean era. These two epics, along with the Homeric Hymns and the two poems of Hesiod, the Theogony and Works and Days, constituted the major foundations of the Greek literary tradition that would continue into the Classical, Hellenistic, and Roman periods.

The lyric poets Sappho, Alcaeus, and Pindar were highly influential during the early development of the Greek poetic tradition. Aeschylus is the earliest Greek tragic playwright for whom any plays have survived complete. Sophocles is famous for his tragedies about Oedipus, particularly Oedipus the King and Antigone. Euripides is known for his plays which often pushed the boundaries of the tragic genre. The comedic playwright Aristophanes wrote in the genre of Old Comedy, while the later playwright Menander was an early pioneer of New Comedy. The historians Herodotus of Halicarnassus and Thucydides, who both lived during the fifth century BC, wrote accounts of events that happened shortly before and during their own lifetimes. The philosopher Plato wrote dialogues, usually centered around his teacher Socrates, dealing with various philosophical subjects, whereas his student Aristotle wrote numerous treatises, which later became highly influential.

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Ancient Greek poetry in the context of Orpheus

In Greek mythology, Orpheus (/ˈɔːrfəs, ˈɔːrfjuːs/ ; Ancient Greek: Ὀρφεύς, classical pronunciation: [or.pʰeú̯s]) was a bard, legendary musician and prophet. He was also a renowned poet and, according to legend, travelled with Jason and the Argonauts in search of the Golden Fleece, and descended into the underworld to recover his lost wife, Eurydice.

The major stories about him are centered on his ability to charm all living things and even stones with his music (the usual scene in Orpheus mosaics), his attempt to retrieve his wife Eurydice from the underworld, and his death at the hands of the maenads of Dionysus, who got tired of his mourning for his late wife Eurydice. As an archetype of the inspired singer, Orpheus is one of the most significant figures in the reception of classical mythology in Western culture, portrayed or alluded to in countless forms of art and popular culture including poetry, film, opera, music, and painting.

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Ancient Greek poetry in the context of Metrical foot

The foot is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length. The most common feet in English are the iamb, trochee, dactyl, and anapaest. The foot might be compared to a bar, or a beat divided into pulse groups, in musical notation.

A metrical foot is, in classical poetry, a combination of two or more short or long syllables in a specific order; although this "does not provide an entirely reliable standard of measurement" in heavily accented Germanic languages such as English. In these languages it is defined as a combination of one stressed and one or two unstressed syllables in a specific order.

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Ancient Greek poetry in the context of Spartan army

The Spartan army was the principal ground force of Sparta. It stood at the center of the ancient Greek city-state, consisting of citizens trained in the disciplines and honour of a warrior society. Subjected to military drills since early manhood, the Spartans became one of the most feared and formidable military forces in the Greek world, attaining legendary status in their wars against Persia. At the height of Sparta's power—between the 6th and 4th centuries BC—other Greeks commonly accepted that "one Spartan was worth several men of any other state."

Tradition states that the semi-mythical Spartan legislator Lycurgus first founded the iconic army. Referring to Sparta as having a "wall of men, instead of bricks," he proposed reforming the Spartan society to develop a military-focused lifestyle following "proper virtues" such as equality for the male citizens, austerity, strength, and fitness. Spartan boys deemed strong enough entered the agoge regime at the age of seven, undergoing intense and rigorous military training. Their education focused primarily on fostering cunningness, practicing sports and war tactics, and also included learning about poetry, music, academics, and sometimes politics. Those who passed the agoge by the age of 30 achieved full Spartan citizenship.

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Ancient Greek poetry in the context of Nine lyric poets

The Nine Lyric or Melic Poets were a canonical group of ancient Greek poets esteemed by the scholars of Hellenistic Alexandria as worthy of critical study. In the Palatine Anthology it is said that they established lyric song.

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Ancient Greek poetry in the context of Iambic tetrameter

Iambic tetrameter is a poetic meter in ancient Greek and Latin poetry; as the name of a rhythm, iambic tetrameter consists of four metra, each metron being of the form | x – u – |, consisting of a spondee and an iamb, or two iambs. There usually is a break in the centre of the line, thus the whole line is:

("x" is a syllable that can be long or short, "–" is a long syllable, and "u" is a short one.)

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