Ancient Greek

Zoology (/zoʊˈɒlədʒi/ zoh-OL-ə-jee, UK also /zuˈ-/ zoo-) is the scientific study of animals. Its studies include the structure, embryology, classification, habits, and distribution of all animals, both living and extinct, and how they interact with their ecosystems. Zoology is one of the primary branches of biology. The term is derived from Ancient Greek ζῷον, zōion ('animal'), and λόγος, logos ('knowledge', 'study').

Although humans have always been interested in the natural history of the animals they saw around them, and used this knowledge to domesticate certain species, the formal study of zoology can be said to have originated with Aristotle. He viewed animals as living organisms, studied their structure and development, and considered their adaptations to their surroundings and the function of their parts. Modern zoology has its origins during the Renaissance and early modern period, with Carl Linnaeus, Antonie van Leeuwenhoek, Robert Hooke, Charles Darwin, Gregor Mendel and many others.

Diplodocus (/dɪˈplɒdəkəs/, /daɪˈplɒdəkəs/, or /ˌdɪploʊˈdoʊkəs/) is an extinct genus of diplodocid sauropod dinosaurs known from the Late Jurassic of North America. The first fossils of Diplodocus were discovered in 1877 by S. W. Williston. The generic name, coined by Othniel Charles Marsh in 1878, is a Neo-Latin term derived from Greek διπλός (diplos) "double" and δοκός (dokos) "beam", in reference to the double-beamed chevron bones located in the underside of the tail, which were then considered unique.

The genus lived in what is now mid-western North America, at the end of the Jurassic period. It is one of the more common dinosaur fossils found in the middle to upper Morrison Formation, with most specimens being found in rocks dated between about 151.88 and 149.1 million years ago, during the latest Kimmeridgian Age, although it may have made it into the Tithonian, with at least one specimen (AMNH FR 223) being potentially from among the youngest deposits of the formation. The Morrison Formation records an environment and time dominated by gigantic sauropod dinosaurs, such as Apatosaurus, Barosaurus, Brachiosaurus, Brontosaurus, and Camarasaurus. Its great size may have been a deterrent to the predators Allosaurus and Ceratosaurus: their remains have been found in the same strata, which suggests that they coexisted with Diplodocus.

The Rosetta Stone decree, or the Decree of Memphis, is a Ptolemaic decree most notable for its bilingual and tri-scriptual nature, which enabled the decipherment of Egyptian hieroglyphs. Issued by a council of priests confirming the royal cult of Ptolemy V in 196 BC at Memphis, it was written in Egyptian hieroglyphs, Egyptian Demotic and Ancient Greek. It mentions the Egyptian rebellion against the Greek rulers, otherwise known only through Greek sources and remains of graffiti.

The writing systems used in ancient Egypt were deciphered in the early nineteenth century through the work of several European scholars, especially Jean-François Champollion and Thomas Young. Ancient Egyptian forms of writing, which included the hieroglyphic, hieratic and demotic scripts, ceased to be understood in the fourth and fifth centuries AD, as the Coptic alphabet was increasingly used in their place. Later generations' knowledge of the older scripts was based on the work of Greek and Roman authors whose understanding was faulty. It was thus widely believed that Egyptian scripts were exclusively ideographic, representing ideas rather than sounds. Some attempts at decipherment by Islamic and European scholars in the Middle Ages and early modern times acknowledged the script might have a phonetic component, but perception of hieroglyphs as purely ideographic hampered efforts to understand them as late as the eighteenth century.

The Rosetta Stone, discovered in 1799 by members of Napoleon Bonaparte's campaign in Egypt, bore a parallel text in hieroglyphic, demotic and Greek. It was hoped that the Egyptian text could be deciphered through its Greek translation, especially in combination with the evidence from the Coptic language, the last stage of the Egyptian language. Doing so proved difficult, despite halting progress made by Antoine-Isaac Silvestre de Sacy and Johan David Åkerblad. Thomas Young, building on their work, observed that demotic characters were derived from hieroglyphs and identified several of the phonetic signs in demotic. He also identified the meaning of many hieroglyphs, including phonetic glyphs in a cartouche containing the name of an Egyptian king of foreign origin, Ptolemy V. He was convinced, however, that phonetic hieroglyphs were used only in writing non-Egyptian words. In the early 1820s Champollion compared Ptolemy's cartouche with others and realised the hieroglyphic script was a mixture of phonetic and ideographic elements. His claims were initially met with scepticism and with accusations that he had taken ideas from Young without giving credit, but they gradually gained acceptance. Champollion went on to roughly identify the meanings of most phonetic hieroglyphs and establish much of the grammar and vocabulary of ancient Egyptian. Young, meanwhile, largely deciphered demotic using the Rosetta Stone in combination with other Greek and demotic parallel texts.

Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word iconography comes from the Greek εἰκών ("image") and γράφειν ("to write" or to draw).

A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting".

The Triptolemos Painter was an ancient Greek vase painter, belonging to the Attic red-figure style. He was active in Athens between 490 and 470 BC. His real name is not known. He started working in the workshop of Euphronios, where he was probably taught by Douris. Later, he also worked for the potters Brygos, Hieron and Python. Initially, his style was strongly influenced by Archaic art. His later works are mediocre in quality. Nonetheless, his repertoire is broad, reaching from the Apaturia procession via erotic scenes and Theban scenes to the departure of Triptolemos (his name vase).

Athenodorus Cananites (Greek: Ἀθηνόδωρος Κανανίτης, Athenodoros Kananites; c. 74 BC – 7 AD) was a Stoic philosopher.

In folklore, giants (from Ancient Greek: gigas, cognate giga-) are beings of humanoid appearance, but are at times prodigious in size and strength or bear an otherwise notable appearance. The word giant is first attested in 1297 from Robert of Gloucester's chronicle. It is derived from the Gigantes (Ancient Greek: Γίγαντες) of Greek mythology.

Fairy tales such as Jack the Giant Killer have formed the modern perception of giants as dimwitted and violent ogres, sometimes said to eat humans, while other giants tend to eat livestock. In more recent portrayals, like those of Jonathan Swift and Roald Dahl, some giants are both intelligent and friendly.

In Greek mythology, Rhea, Rhia or Rheia (/ˈriːə/; Ancient Greek: Ῥέα [r̥é.aː] or Ῥεία [r̥ěː.aː]) was one of the Titans, the children of Uranus (Sky) and Gaia (Earth). She was the sister and wife of Cronus, and by him, the mother of the six Olympians: Hestia, Demeter, Hera, Hades, Poseidon, and Zeus.

When Cronus learnt that he was destined to be overthrown by one of his children like his father before him, he swallowed all the children Rhea bore as soon as they were born. When Rhea had her sixth and final child, Zeus, she spirited him away and hid him in Crete, giving Cronus a rock to swallow instead, thus saving her youngest son who would go on to challenge his father's rule and rescue the rest of his siblings. Following Zeus's defeat of Cronus and the rise of the Olympian gods into power, Rhea withdraws from her role as the queen of the gods to become a supporting figure on Mount Olympus. She has some roles in the new Olympian era. She attended the birth of her grandson Apollo and raised her other grandson Dionysus. After Persephone was abducted by Hades, Rhea was sent to Demeter by Zeus. In the myth of Pelops, she resurrects the unfortunate youth after he has been slain.

The Aphrodisia festival (Ancient Greek: Ἀφροδίσια) was an annual festival held in Ancient Greece in honor of the goddess of love and beauty, Aphrodite (Ancient Greek: Ἀφροδίτη Πάνδημος). It took place in several Ancient Greek towns, but was especially important in Attica and on the island of Cyprus, where Aphrodite was venerated with a magnificent celebration. The festival occurred during the month of Hekatombaion, which modern scholars recognize as starting from the third week in July to the third week of August on the Gregorian calendar. Aphrodite was worshipped in most towns of Cyprus, as well as in Cythera, Sparta, Thebes, Delos, and Elis, and her most ancient temple was at Paphos. Textual sources explicitly mention Aphrodisia festivals in Corinth and in Athens, where the many prostitutes that resided in the city celebrated the festival as a means of worshipping their patron goddess. Though no textual sources expressly mention an Aphrodisia festival in Cythera, Thebes, or Elis, it likely occurred since textual and iconographical sources indicate that Aphrodite Pandemos had a cult following in these areas. The Aphrodisia festival was one of the most important ceremonies in Delos, though not much is known about the details of the celebration. The inscriptions merely indicate that the festival required the purchase of ropes, torches and wood, which were customary expenses of all Delian festivals.