Ancien régime in the context of "Louis XIV"

The French Revolution was a period of political and societal change in France that began with the Estates General of 1789 and ended with the Coup of 18 Brumaire on 9 November 1799. Many of the revolution's ideas are considered fundamental principles of liberal democracy, and its values remain central to modern French political discourse. It was caused by a combination of social, political, and economic factors which the existing regime proved unable to manage.

Financial crisis and widespread social distress led to the convocation of the Estates General in May 1789, its first meeting since 1614. The representatives of the Third Estate broke away and re-constituted themselves as a National Assembly in June. The Storming of the Bastille in Paris on 14 July led to a series of radical measures by the Assembly, including the abolition of feudalism, state control over the Catholic Church in France, and issuing the Declaration of the Rights of Man and of the Citizen.

One of the central events of the French Revolution was the abolition of feudalism, and the old rules, taxes, and privileges left over from the ancien régime. The National Constituent Assembly, after deliberating on the night of 4 August 1789, announced, "The National Assembly abolishes the feudal system entirely." It abolished both the seigneurial rights of the Second Estate (the nobility) and the tithes gathered by the First Estate (the Catholic clergy). The old judicial system, founded on the 13 regional parlements, was suspended in November 1789 and finally abolished in 1790.

The Congress of Vienna of 1814–1815 was a series of international diplomatic meetings to discuss and agree upon a possible new layout of the European political and constitutional order after the downfall of the French Emperor Napoleon Bonaparte. Participants were representatives of all European powers (other than the Ottoman Empire) and other stakeholders. The Congress was chaired by Austrian statesman Klemens von Metternich, and was held in Vienna from September 1814 to June 1815.

The objective of the Congress was to provide a long-term peace plan for Europe by settling critical issues arising from the French Revolutionary Wars and the Napoleonic Wars through negotiation. The goal was not simply to restore old boundaries, but to resize the main powers so they could balance each other and remain at peace, being at the same time shepherds for the smaller powers. More generally, conservative leaders like Metternich also sought to restrain or eliminate republican, liberal, and revolutionary movements which, from their point of view, had upended the constitutional order of the European ancien régime.

Louis XVI (Louis-Auguste; French: [lwi sɛːz]; 23 August 1754 – 21 January 1793) was the last king of France before the fall of the monarchy during the French Revolution. The son of Louis, Dauphin of France (son and heir-apparent of King Louis XV), and Maria Josepha of Saxony, Louis became the new Dauphin when his father died in 1765. In 1770, he married Marie Antoinette. He became King of France and Navarre on his grandfather's death on 10 May 1774, and reigned until the abolition of the monarchy on 21 September 1792. From 1791 onwards, he used the style of king of the French.

The first part of Louis XVI's reign was marked by attempts to reform the French government in accordance with Enlightenment ideas. These included efforts to increase tolerance toward non-Catholics as well as abolishing the death penalty for deserters. The French nobility reacted to the proposed reforms with hostility, and successfully opposed their implementation. Louis implemented deregulation of the grain market, advocated by his economic liberal minister Turgot, but it resulted in an increase in bread prices. In periods of bad harvests, it led to food scarcity which, during a particularly bad harvest in 1775, prompted the masses to revolt. From 1776, Louis XVI actively supported the North American colonists, who were seeking their independence from Great Britain, which was realised in the Treaty of Paris (1783). The ensuing debt and financial crisis contributed to the unpopularity of the ancien régime.

Napoleon was crowned Emperor of the French on December 2, 1804 (11 Frimaire, Year XIII according to the French Republican calendar, commonly used at the time in France), at Notre-Dame de Paris in Paris. It marked "the instantiation of [the] modern empire" and was a "transparently masterminded piece of modern propaganda".Napoleon wanted to establish the legitimacy of his imperial reign with its new dynasty and nobility. To this end, he designed a new coronation ceremony unlike that for the kings of France, which had emphasised the king's consecration (sacre) and anointment and was conferred by the archbishop of Reims in Reims Cathedral. Napoleon's was a sacred ceremony held in the great cathedral of Notre Dame de Paris in the presence of Pope Pius VII. Napoleon brought together various rites and customs, incorporating ceremonies of Carolingian tradition, the ancien régime, and the French Revolution, all presented in sumptuous luxury.

On May 18, 1804, the Sénat conservateur vested the Republican government of the French First Republic in an emperor, and preparations for the coronation followed. Napoleon's elevation to emperor was overwhelmingly approved by the French people in the French constitutional referendum of 1804. Among Napoleon's motivations for being crowned were to gain prestige in international royalist and Roman Catholic circles and to lay the foundation for a future dynasty.

The Salon of 1761 was an art exhibition held at the Louvre in Paris. Staged during the reign of Louis XV and at a time when the Seven Years' War against Britain and Prussia was at its height, it reflected the taste of the Ancien régime during the mid-eighteenth century. The biannual Salon was organised by the Académie Royale. Jean Siméon Chardin was in charge of choosing hanging locations for the two hundred or so works on display. A number of submissions were Rococo in style. The art critic Denis Diderot wrote extensively about the Salon.

The exhibition was notable for the paintings of Jean-Baptiste Greuze who displayed fourteen works including The Laundress and The Village Bride. François Boucher submitted a pastoral work Shepherd and Shepherdess Reposing. The Swedish artist Alexander Roslin produced portraits both of Boucher and his wife Marie-Jeanne. Louis-Michel van Loo exhibited his Portrait of Louis XV, now a lost work but with several contemporary copies surviving. Joseph Vernet displayed two versions of View of Bayonne, part of his Views of the Ports of France series. Charles-André van Looexhibited Mary Magdalene in the Desert and Jean-Baptiste-Henri Deshays's The Martyrdom of Saint Andrew, which were praised by Diderot.

Napoleon's planned invasion of the United Kingdom at the start of the War of the Third Coalition, although never carried out, was a major influence on British naval strategy and the fortification of the coast of South East England. In 1796 the French had already tried to invade Ireland in order to destabilise the United Kingdom or as a stepping-stone to Great Britain. The first French Army of England had gathered on the Channel coast in 1798, but an invasion of England was sidelined by Napoleon's concentration on the campaigns in Egypt and against Austria, and shelved in 1802 by the Peace of Amiens. Building on planning for mooted invasions under France's ancien régime in 1744, 1759, and 1779, preparations began again in earnest soon after the outbreak of war in 1803, and were finally called off in 1805, before the Battle of Trafalgar.

The Grand Dignitaries of the French Empire (French: Grands Dignitaires de l'Empire Français) were created in 1804 by the Constitution of the Year XII, which established Napoleon Bonaparte, previously First Consul for Life, as Emperor of the French. The seven Grand Dignitaries broadly paralleled the Great Officers of the Crown which had existed under the Ancien Régime and were essentially honorific, although several limited functions were ascribed to them in the new constitution of the Empire. In the imperial nobility, the Grand Dignitaries ranked in status directly behind the Princes of France, although in practice, most Grand Dignitaries also held the title of Prince.

In 1807, two new dignitaries were created, a further two in 1809, and another in 1810, raising the final number to twelve. Many of the dignitaries were also members of the Imperial Family, with those that were not being high-ranking figures in the imperial administration. The Grand Dignitaries were abolished along with the First Empire in 1814 upon the Bourbon Restoration, the Great Officers of the Crown being reinstated, and were not restored under the Second Empire.