Ancestor veneration in China in the context of "Deification"

Confucius (孔子; pinyin: Kǒngzǐ; lit. 'Master Kong'; c. 551 – c. 479 BCE), born Kong Qiu (孔丘), was a Chinese philosopher of the Spring and Autumn period who is traditionally considered the paragon of Chinese sages. Much of the shared cultural heritage of the Sinosphere originates in the philosophy and teachings of Confucius. His philosophical teachings, called Confucianism, emphasized personal and governmental morality, harmonious social relationships, righteousness, kindness, sincerity, and a ruler's responsibilities to lead by virtue.

Confucius considered himself a transmitter for the values of earlier periods which he claimed had been abandoned in his time. He advocated for filial piety, endorsing strong family loyalty, ancestor veneration, and the respect of elders by their children and of husbands by their wives. Confucius recommended a robust family unit as the cornerstone for an ideal government. He championed the Silver Rule, or a negative form of the Golden Rule, advising, "Do not do unto others what you do not want done to yourself."

Ding (Chinese: 鼎; pinyin: dǐng) are prehistoric and ancient Chinese cauldrons standing upon legs with a lid and two fancy facing handles. They are one of the most important shapes used in Chinese ritual bronzes. They were made in two shapes: round vessels with three legs and rectangular ones with four, the latter often called fāng dǐng (Chinese: 方鼎; lit. 'square ding'). They were used for cooking, storage, and ritual offerings to the gods or to ancestors.

The earliest recovered examples are ceramic tripods from the Neolithic Peiligang culture, but they are better known from the Chinese Bronze Age, particularly after the Zhou deemphasized the ritual use of huangjiu alcohol practiced by the Shang kings. Under the Zhou, the ding and the privilege to perform the associated rituals became symbols of authority. The number of permitted ding varied according to one's rank in the Chinese nobility: the Nine Ding of the Zhou kings were a symbol of their rule over all China but were lost by the first emperor, Shi Huangdi in the late 3rd century BCE. Subsequently, imperial authority was represented by the Heirloom Seal of the Realm, carved out of the sacred Heshibi; it was lost at some point during the Five Dynasties after the collapse of the Tang.

In the study of comparative religion, the East Asian religions, form a subset of the Eastern religions which originated in East Asia.

This group includes Chinese religion overall, which further includes ancestor veneration, Chinese folk religion, Confucianism, Taoism and popular salvationist organisations (such as Yiguandao and Weixinism), as well as elements drawn from Mahayana Buddhism that form the core of Chinese and East Asian Buddhism at large. The group also includes Shinto and Tenrikyo of Japan, and Korean Shamanism, all of which combine shamanistic elements and indigenous ancestral worship with various influences from Chinese religions. Chinese salvationist religions have influenced the rise of Japanese new religions such Tenriism and Korean Jeungsanism; as these new religious movements draw upon indigenous traditions but are heavily influenced by Chinese philosophy and theology. All these religious traditions generally share core concepts of spirituality, divinity and world order, including Tao ('way') and Tian ('heaven').

Laozi (/ˌlaʊˈtsʌ/ low-TSUH; Chinese: 老子; pinyin: Lǎozǐ) was a legendary Chinese philosopher considered to be the author of the Tao Te Ching (Laozi), one of the foundational texts of Taoism. The name, literally meaning 'Old Master', was likely intended to portray an archaic anonymity that could converse with Confucianism. Modern scholarship generally regards his biographical details as later inventions and his opus a collaboration of various writers. Traditional accounts addend him as Li Er, born in the 6th-century BC state of Chu during China's Spring and Autumn period (c. 770 – c. 481 BC). Serving as the royal archivist for the Zhou court at Wangcheng (modern Luoyang), he met and impressed Confucius (c. 551 – c. 479 BC) on one occasion, composing the Tao Te Ching in a single session before retiring into the western wilderness.

A central figure in Chinese culture, Laozi is generally considered the founder of Taoism. He was claimed and revered as the ancestor of the Tang dynasty (618–907) and is similarly honored in modern China as the progenitor of the popular surname Li. In some sects of Taoism, Chinese Buddhism, Confucianism, and Chinese folk religion, it is held that he then became an immortal hermit. Certain Taoist devotees held that the Tao Te Ching was the avatar – embodied as a book – of the god Laojun, one of the Three Pure Ones of the Taoist pantheon, though few philosophers believe this.

Temple names are posthumous titles accorded to monarchs of the Sinosphere for the purpose of ancestor worship. The practice of honoring monarchs with temple names began during the Shang dynasty in China and had since been adopted by other dynastic regimes in the Sinosphere, with the notable exception of Japan. Temple names should not be confused with era names (年號), regnal names (尊號) or posthumous names (謚號).

Modern academia usually refers to the following rulers by their temple names: Chinese monarchs from the Tang to the Yuan dynasties, Korean rulers of the Goryeo (until AD 1274) and Joseon dynasties, and Vietnamese rulers of the Lý, Trần, and Later Lê dynasties (with the Hồ and Later Trần dynasties as exceptions).

A jue (Chinese: 爵; Wade–Giles: chüeh) is a type of ancient Chinese ritual bronze vessel used to serve warm wine during ancestor-worship ceremonies. It takes the form of an ovoid body supported by three splayed triangular legs, with a long curved spout (liu 流) on one side and a counterbalancing flange (wei 尾) on the other. Many examples have one or two loop handles (pan 鋬) on the side and two column-shaped protuberances (zhu 柱) on the top of the vessel, which were probably used to enable the vessel to be lifted using leather straps. They are often ornately decorated with taotie decorations representing mythical beasts. They are in effect a small Chinese equivalent of the ewer. The name jue is not original, but derives from the Shuowen Jiezi, a dictionary of the 2nd century AD.

The vessel originated in Neolithic times as a pottery ware associated with the Longshan culture, between about 2500-2000 BC. During the Shang and Zhou dynasties of Bronze Age China, it became one of a number of designs of Chinese ritual bronzes. Pottery and lead copies continued to be made and used as grave goods or spirit utensils (mingqi). Most jue (like other Chinese bronzes) were created by casting molten metal in pottery moulds, but one jue appears to have been made using the much earlier method of hammering sheet metal that might have been introduced from western Asia, where bronze metallurgy is believed to have been developed 2,000 years before it appeared in China.

A gui is a type of bowl-shaped ancient Chinese ritual bronze vessel used to hold offerings of food, probably mainly grain, for ancestral tombs. As with other shapes, the ritual bronzes followed early pottery versions for domestic use, and were recalled in later art in both metal, pottery, and sometimes stone. The shape changed somewhat over the centuries but constant characteristics are a circular form (seen from above), with a rounded, wide, profile or shape from the side, standing on a narrower rim or foot. There are usually two, or sometimes four, handles, and there may be a cover or a square base (or both).

The Kang Hou gui, an 11th-century BC example in the British Museum was chosen as object 23 in the A History of the World in 100 Objects.

An ancestral shrine, hall or temple (Chinese: 祠堂; pinyin: Cítáng; Pe̍h-ōe-jī: Sû-tông or Chinese: 宗祠; pinyin: Zōng Cí; Pe̍h-ōe-jī: Chong-sû, Vietnamese: Nhà thờ họ; Chữ Hán: 家祠户; Korean: 사당; Hanja: 祠堂), also called lineage temple, is a temple dedicated to deified ancestors and progenitors of surname lineages or families in the Chinese tradition. Ancestral temples are closely linked to Confucian philosophy and culture and the emphasis that it places on filial piety.

A common central feature of the ancestral temples are the ancestral tablets that embody the ancestral spirits. The ancestral tablets are typically arranged by seniority of the ancestors. Altars and other ritual objects such as incense burners are also common fixtures. Ancestors and gods can also be represented by statues.