Amsterdam banking crisis of 1763 in the context of Jan de Beijer


Amsterdam banking crisis of 1763 in the context of Jan de Beijer

⭐ Core Definition: Amsterdam banking crisis of 1763

The Amsterdam banking crisis of 1763 in the Netherlands followed the end of the Seven Years' War. At this time prices of grain and other commodities were falling sharply, and the supply of credit dried up due to the decreased value of collateral goods. Many of the banks based in Amsterdam were over-leveraged and were interlinked by complex financial instruments, making them vulnerable to a sudden tightening of credit availability.

The crisis was marked by the failure of one large bank – that of De Neufville – and many smaller financial enterprises. The extent of the crisis was mitigated by the provision of additional liquidity by the Bank of Amsterdam, the Dutch central bank. Similarities have been identified between these events and the 2008 financial crisis.

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Amsterdam banking crisis of 1763 in the context of Abel Seyler

Abel Seyler (23 August 1730, Liestal – 25 April 1800, Rellingen) was a Swiss-born theatre director and former merchant banker, who was regarded as one of the great theatre principals of 18th century Europe. He played a pivotal role in the development of German theatre and opera, and was considered "the leading patron of German theatre" in his lifetime. He supported the development of new works and experimental productions, helping to establish Hamburg as a center of theatrical innovation and to establish a publicly funded theater system in Germany. Working with some of Germany's foremost actors and playwrights of his era, he is credited with pioneering a new more realist style of acting, introducing Shakespeare to a German language audience, and with promoting the concept of a national theatre in the tradition of Ludvig Holberg, the Sturm und Drang playwrights, and serious German opera, becoming the "primary agent for change in the German opera scene" in the late 18th century. Already in his lifetime, he was described as "one of German art's most meritorious men."

The son of a Basel Reformed priest, Seyler moved to London and then to Hamburg as a young adult, and established himself as a merchant banker in the 1750s. During the Seven Years' War and its immediate aftermath his bank Seyler & Tillemann engaged in an ever-increasing and complex, "malicious" speculation with financial instruments and went spectacularly bankrupt with enormous debts in the wake of the Amsterdam banking crisis of 1763, resulting in a decade of expansive litigation. Although they were wealthy bankers, Seyler and his business partner were "in no way representatives of the Hamburg bourgeoisie." A flamboyant bon vivant who was regarded with suspicion in Hamburg, Seyler symbolized a new and more aggressive form of capitalism.

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Amsterdam banking crisis of 1763 in the context of Seyler & Tillemann

Seyler & Tillemann was a Hamburg merchant bank in the 1750s and 1760s, that was owned by Abel Seyler and Johann Martin Tillemann. It involved itself in the currency market and "malicious" speculation with financial instruments during the Seven Years' War. It had ties to the brothers De Neufville in Amsterdam. Seyler & Tillemann went bankrupt as a result of the Amsterdam banking crisis of 1763 with 3–4 million Mark Banco in debts, an enormous sum. Its downfall also contributed to the downfall of other banking houses e.g. in Scandinavia.

In 1761 Seyler & Tillemann, acting as agents of their close business associate Heinrich Carl von Schimmelmann, leased the mint factory in Rethwisch from the impoverished Frederick Charles, Duke of Schleswig-Holstein-Sonderburg-Plön, a member of a cadet branch of the Danish royal family, to produce debased coins in the final years of the Seven Years' War. Seyler and Tillemann also owned a large silver refinery in Hamburg.

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