American poetry in the context of Black Mountain poets


American poetry in the context of Black Mountain poets

⭐ Core Definition: American poetry

American poetry refers to the poetry of the United States. It arose first as efforts by American colonists to add their voices to English poetry in the 17th century, well before the constitutional unification of the Thirteen Colonies (although a strong oral tradition often likened to poetry already existed among Native American societies). Most of the early colonists' work was similar to contemporary English models of poetic form, diction, and theme. However, in the 19th century, an American idiom began to emerge. By the later part of that century, poets like Walt Whitman were winning an enthusiastic audience abroad and had joined the English-language avant-garde.

Much of the American poetry published between 1910 and 1945 remains lost in the pages of small circulation political periodicals, particularly the ones on the far left, destroyed by librarians during the 1950s McCarthy era. Modernist poets like Ezra Pound and T.S. Eliot (who was awarded the Nobel Prize in Literature in 1948) are often cited as creative and influential English-language poets of the first half of the 20th century. African American and women poets were published and read widely in the same period but were often somewhat prejudicially marginalized. By the 1960s, the Beat Movement and Black Mountain poets had developed new models for poetry and their contemporaries influenced the British Poetry Revival. Towards the end of the millennium, consideration of American poetry had diversified, as scholars placed an increased emphasis on poetry by women, African Americans, Hispanics, Chicanos, Native Americans, and other ethnic groups. Louise Glück and Bob Dylan have been awarded the Nobel Prize in Literature

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American poetry in the context of Leaves of Grass

Leaves of Grass is a poetry collection by American poet Walt Whitman. After self-publishing it in 1855, he spent most of his professional life writing, revising, and expanding the collection until his death in 1892. Either six or nine separate editions of the book were produced, depending on how one defines a new edition. The continual modifications to Leaves of Grass resulted in vastly different copies of it circulating in Whitman's lifetime. The first edition was a slim tract of twelve poems, and the last was a compilation of over 400 poems.

The book represents a celebration of Whitman's philosophy of life and humanity in which he praises nature and the individual's role in it. He catalogues the expansiveness of American democracy. Rather than dwell on religious or spiritual themes, he focuses primarily on the body and the material world. With very few exceptions, Whitman's poems do not rhyme or follow conventional rules for meter and line length.

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American poetry in the context of Emily Dickinson

Emily Elizabeth Dickinson (December 10, 1830 – May 15, 1886) was an American poet. Little-known during her life, she has since been regarded as one of the most important figures in American poetry.

Dickinson was born in Amherst, Massachusetts, into a prominent family with strong ties to its community. After studying at the Amherst Academy for seven years in her youth, she briefly attended the Mount Holyoke Female Seminary before returning to her family's home in Amherst. Evidence suggests that Dickinson lived much of her life in isolation. Considered an eccentric by locals, she developed a penchant for white clothing and was known for her reluctance to greet guests or, later in life, even to leave her bedroom. Dickinson never married, and most of her friendships were based entirely upon correspondence.

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American poetry in the context of James Russell Lowell

James Russell Lowell (/ˈləl/; February 22, 1819 – August 12, 1891) was an American Romantic poet, critic, editor, and diplomat. He is associated with the fireside poets, a group of New England writers who were among the first American poets to rival the popularity of British poets. These writers usually used conventional forms and meters in their poetry, making them suitable for families entertaining at their fireside.

Lowell graduated from Harvard College in 1838, despite his reputation as a troublemaker, and went on to earn a law degree from Harvard Law School. He published his first collection of poetry in 1841 and married Maria White in 1844. The couple had several children, though only one survived past childhood.

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American poetry in the context of Robert Duncan (poet)

Robert Edward Duncan (January 7, 1919 – February 3, 1988) was an American poet and a devotee of Hilda "H.D." Doolittle and the Western esoteric tradition who spent most of his career in and around San Francisco. Though associated with any number of literary traditions and schools, Duncan is often identified with the poets of the New American Poetry and Black Mountain College. Duncan saw his work as emerging especially from the tradition of Pound, Williams and Lawrence. Duncan was a key figure in the San Francisco Renaissance.

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