American Progress in the context of Lithography

Settler colonialism is a process by which settlers exercise colonial rule over a land and its indigenous peoples, transforming the land and replacing or assimilating its population with or into the society of the settlers. Assimilation has sometimes been conceptualized in biological terms such as the "breeding of a minority population into a majority," but in other cases, such as in some parts of Latin America, biological mixing of populations was less problematic.

Settler colonialism is a form of exogenous (of external origin, coming from the outside) domination typically organized or supported by an imperial authority, which maintains a connection or control to the territory through the settler's colonialism. Settler colonialism contrasts with exploitation colonialism, where the imperial power conquers territory to exploit the natural resources and gain a source of cheap or free labor. As settler colonialism entails the creation of a new society on the conquered territory, it lasts indefinitely unless decolonisation occurs through departure of the settler population or through reforms to colonial structures, settler-indigenous compacts and reconciliation processes.

John Gast (21 December 1842 in Berlin – 26 July 1896 in Brooklyn) was a Prussian-born American painter and lithographer.

His most famous work is American Progress (1872); this painting and many of his drawings are found in the Autry Museum of the American West in Los Angeles.

Manifest destiny was the expansionist belief in the 19th-century United States that American settlers were destined to expand westward across North America, and that this belief was both obvious ("manifest") and certain ("destiny"). The belief is rooted in American exceptionalism and romantic nationalism, implying the inevitable spread of republicanism and the American way. It is one of the earliest expressions of American imperialism.

According to historian William Earl Weeks, there were three basic tenets behind the concept:

The Autry Museum of the American West (Autry National Center) is a museum in Los Angeles, California, dedicated to exploring an inclusive history of the American West. Founded in 1988, the museum presents a wide range of exhibitions and public programs, including lectures, film, theater, festivals, family events, and music, and performs scholarship, research, and educational outreach. It attracts about 150,000 visitors annually.

In 2013, it extensively redesigned and renovated the Irene Helen Jones Parks Gallery of Art and the Gamble Firearms Gallery in its main building. In its related opening exhibit for the Parks Gallery, Art of the West, the new organization enabled material to be presented in relation to themes rather than chronology, and paintings were shown next to crafts, photography, video and other elements in new relationships.