American International Pictures in the context of "Film distributor"

Tales of Terror is a 1962 American International Pictures Gothic horror anthology film in colour and Panavision, produced by Samuel Z. Arkoff, James H. Nicholson, and Roger Corman, who also directed. The screenplay was written by Richard Matheson, and the film stars Vincent Price, Peter Lorre, and Basil Rathbone. It is the fourth in the so-called Corman-Poe cycle of eight films, largely featuring adaptations of Edgar Allan Poe stories and directed by Corman for AIP. The film was released in 1962 as a double feature with Panic in Year Zero!.

Samuel Zachary Arkoff (June 12, 1918 – September 16, 2001) was an American film producer, known as the co-founder of American International Pictures.

James Hartford Nicholson (September 14, 1916 – December 10, 1972) was an American film producer. He is best known as the co-founder, with Samuel Z. Arkoff, of American International Pictures.

Roger William Corman (April 5, 1926 – May 9, 2024) was an American film director, producer, and actor. Known under various monikers such as "The Pope of Pop Cinema", "The Spiritual Godfather of the New Hollywood", and "The King of Cult", he was known as a trailblazer in the world of independent film.

Many of the more than 500 features directed or produced by Corman were low-budget films that later attracted a cult following, such as A Bucket of Blood (1959), The Little Shop of Horrors (1960), The Intruder (1962), X: The Man with the X-ray Eyes (1963), and the counterculture films The Wild Angels (1966) and The Trip (1967). House of Usher (1960) became the first of eight films directed by Corman that were adapted from the tales of Edgar Allan Poe, and which collectively came to be known as the "Poe Cycle".

Richard Burton Matheson (February 20, 1926 – June 23, 2013) was an American author and screenwriter, primarily in the fantasy, horror, and science fiction genres.

He is best known as the author of I Am Legend, a 1954 science fiction horror novel that has been adapted for the screen three times. Matheson himself was co-writer of the first film version, The Last Man on Earth, starring Vincent Price, which was released in 1964. The other two adaptations were The Omega Man, starring Charlton Heston, and I Am Legend, with Will Smith. Matheson also wrote 16 television episodes of The Twilight Zone, including "Nightmare at 20,000 Feet", "Little Girl Lost" and "Steel", as well as several adaptations of Edgar Allan Poe stories for Roger Corman and American International Pictures – House of Usher, The Pit and the Pendulum, Tales of Terror and The Raven. He adapted his 1971 short story "Duel" as a screenplay, directed by Steven Spielberg as the television film of the same name that year.

The double feature is a motion picture industry phenomenon in which movie theaters would exhibit two films for the price of one, supplanting an earlier format in which the presentation of one feature film would be followed by various short subject reels.

Panic in Year Zero! is a 1962 American black-and-white survival science fiction film from American International Pictures. It was produced by Arnold Houghland and Lou Rusoff, directed by Ray Milland, who also stars with Jean Hagen, Frankie Avalon, Mary Mitchel, and Joan Freeman. The original music score was composed by Les Baxter. The screenplay was written by John Morton and Jay Simms. The film was released by AIP in 1962 as a double feature with Tales of Terror.

A B movie, or B film, is a type of low-budget commercial motion picture. Originally, during the Golden Age of Hollywood, this term specifically referred to films meant to be shown as the lesser-known second half of a double feature, somewhat similar to B-sides in recorded music. However, the production of such films as "second features" in the United States largely declined by the end of the 1950s. This shift was due to the rise of commercial television, which prompted film studio B movie production departments to transition into television film production divisions. These divisions continued to create content similar to B movies, albeit in the form of low-budget films and series.

Today, the term "B movie" is used in a broader sense. In post-Golden Age usage, B movies can encompass a wide spectrum of films, ranging from sensationalistic exploitation films to independent arthouse productions.