Altichiero in the context of St. George's Oratory, Padua


Altichiero in the context of St. George's Oratory, Padua

⭐ Core Definition: Altichiero

Altichiero da Zevio (c. 1330 – c. 1390), also called Aldighieri da Zevio, was an Italian painter much influenced by Giotto, certainly through knowledge of the frescoes in the Cappella degli Scrovegni in Padua and quite possibly through having been trained in Florence by one of Giotto's pupils. Altichiero worked in Verona and Padua. Works by him survive in the church of Sant'Anastasia in Verona and in the Cappella di S Felice (originally Cappella di S Giacomo) in the basilica of Sant'Antonio (Il Santo) and the Oratorio di San Giorgio in Padua. His stature was compromised for a long time through his supposed collaboration with a certain Jacopo Avanzo or Avanzi, but study of the documents and historiography demonstrated Atichiero's authorship of the frescoes in both the Santo and the Oratorio di San Giorgio. It has been argued that the hand of an assistant (conceivably Jacopo Avanzo or Jacopo Avanzi, both Bolognese painters) can be seen in some early scenes in the Santo (Cappella di S Felice, originally the Cappella di S Giacomo) – although it was certainly Altichiero who was paid to decorate the chapel, and he received 792 ducats in the summer of 1379.

Altichiero was probably born somewhere near Zevio. He became an important member of the della Scala household in Verona, and around 1364 painted a series of frescoes based upon Flavius Josephus's The Wars of the Jews at the della Scala palace of Sala del Podestà.

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Altichiero in the context of Padua's fourteenth-century fresco cycles

Padua's fourteenth-century fresco cycles is a UNESCO World Heritage Site in Padua, Italy, listed in 2021.

The site comprises eight buildings, both religious and secular, in four clusters. They house fresco cycles that were painted between 1302 and 1397 by several prominent painters: Giotto, Guariento di Arpo, Giusto de' Menabuoi, Altichiero da Zevio, Jacopo d'Avanzi, and Jacopo da Verona. The frescos are innovative in their way of depicting the allegorical narrative and use new way of perspective. Emotions of characters are shown in a realistic manner. In some frescoes, the patron who commissioned them is depicted as one of the characters in a story. This new fresco style formed the inspirational basis for centuries of fresco work in the Italian Renaissance and beyond.

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Altichiero in the context of Giusto de' Menabuoi

Giusto de' Menabuoi (c. 1320–1391) was an Italian painter of the early Renaissance. He was born in the Republic of Florence.

He was likely a pupil of Giotto but this is not definitive. De' Menabuoi was known for his use of colour and became a court painter for Da Carrara. His style was individual, with no links to the realism of his contemporaries Altichiero and Jacopo d'Avanzi, and he had no influence on the later development of Venetian painting.

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