All-over painting in the context of Janet Sobel


All-over painting in the context of Janet Sobel

⭐ Core Definition: All-over painting

All-over painting refers to the non-differential treatment of the surface of a work of two-dimensional art, for instance a painting. This concept is most popularly thought of as emerging in relation to the so-called "drip" paintings of Jackson Pollock and the "automatic writing" or "abstract calligraphy" of Mark Tobey in the 1950s, though the applicability of the term all-over painting would be wider than that. "All-over painting" is not a formal style of painting and the term does not represent an "art movement." Some painting under the heading color field painting displays the "all-over" painting style. Such a painting would fail to treat the top, for instance, differently from the bottom; the left than the right. Uniform treatment of all sections of the surface are the hallmark of all-over painting. All-over paintings would lack a dominant point of interest, or any indication of which way is "up." Some paintings by Cy Twombly have had this term applied to them.

Clement Greenberg cited Janet Sobel's as the first instance of all-over painting he had seen.

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All-over painting in the context of Jackson Pollock

Paul Jackson Pollock (/ˈpɒlək/; January 28, 1912 – August 11, 1956) was an American painter. A major figure in the abstract expressionist movement, he was widely noticed for his "drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles. It was called all-over painting and action painting, because Pollock covered the entire canvas and used the force of his whole body to paint, often in a frenetic dancing style. This extreme form of abstraction divided critics: some praised the immediacy of the creation, while others derided the random effects.

A reclusive and volatile personality, Pollock struggled with alcoholism for most of his life. In 1945, he married artist Lee Krasner, who became an important influence on his career and on his legacy. Pollock died in August 1956 at age 44 in an alcohol-related single-car collision when he was driving. Four months after his death, Pollock was given a memorial retrospective exhibition at the Museum of Modern Art (MoMA) in New York City. A larger, more comprehensive exhibition of his work was held there in 1967. In 1998 and 1999, Pollock's work was honored with large-scale retrospective exhibitions at MoMA and the Tate Gallery in London.

View the full Wikipedia page for Jackson Pollock
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