Alexander Roslin in the context of Classicist


Alexander Roslin in the context of Classicist

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⭐ Core Definition: Alexander Roslin

Alexander Roslin (pronounced [alɛkˈsǎnːdɛr rʊsˈliːn]; spelled Alexandre in French, pronounced [alɛksɑ̃dʁ ʁɔslɛ̃]; 15 July 1718 – 5 July 1793) was a Swedish painter who worked in Scania, Bayreuth, Paris, Italy, Warsaw and St. Petersburg, primarily for members of aristocratic families. He combined insightful psychological portrayal with a skillful representation of fabrics and jewels.

His style combined Classicist tendencies with the lustrous, shimmering colours of Rococo, a jocular, elegant and ornate style. He lived in France from 1752 until 1793, a period that spanned most of his career. The painting by Roslin depicting Jeanne Sophie de Vignerot du Plessis, Countess of Egmont Pignatelli, was bought by the Minneapolis Institute of Art in 2006 for US$3 million. Roslin also has pieces displayed at the Metropolitan Museum of Art.

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Alexander Roslin in the context of Institut Tessin

The Institut Tessin, also known as the Centre culturel suédois, is a museum in Paris dedicated to the history of Franco-Swedish artistic exchanges. It is located in the Hôtel de Marle at 11, rue Payenne in the city's 3rd arrondissement, and is open weekdays except Monday; admission is free.

The museum was established by Gunnar W. Lundberg, art historian and cultural advisor to Sweden's embassy in Paris. It is operated by the Swedish Institute, under the responsibility of the Nationalmuseum in Stockholm, and is the only Swedish culture center located outside of Sweden. The museum contains a permanent collection of works from the 17th to the 20th century, including approximately 600 paintings and more than 5000 books, drawings, prints, and watercolors, as well as sculptures and medals, with notable works by Gustaf Lundberg, Alexander Roslin, Adolf Ulrik Wertmüller, and Louis Jean Desprez. It also contains a theater, library, Swedish cafe, five studios for artists and Swedish researchers, and space for temporary exhibitions.

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Alexander Roslin in the context of Salon of 1761

The Salon of 1761 was an art exhibition held at the Louvre in Paris. Staged during the reign of Louis XV and at a time when the Seven Years' War against Britain and Prussia was at its height, it reflected the taste of the Ancien régime during the mid-eighteenth century. The biannual Salon was organised by the Académie Royale. Jean Siméon Chardin was in charge of choosing hanging locations for the two hundred or so works on display. A number of submissions were Rococo in style. The art critic Denis Diderot wrote extensively about the Salon.

The exhibition was notable for the paintings of Jean-Baptiste Greuze who displayed fourteen works including The Laundress and The Village Bride. François Boucher submitted a pastoral work Shepherd and Shepherdess Reposing. The Swedish artist Alexander Roslin produced portraits both of Boucher and his wife Marie-Jeanne. Louis-Michel van Loo exhibited his Portrait of Louis XV, now a lost work but with several contemporary copies surviving. Joseph Vernet displayed two versions of View of Bayonne, part of his Views of the Ports of France series. Charles-André van Looexhibited Mary Magdalene in the Desert and Jean-Baptiste-Henri Deshays's The Martyrdom of Saint Andrew, which were praised by Diderot.

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Alexander Roslin in the context of Adolf Ulrik Wertmüller

Adolf Ulrik Wertmüller (February 18, 1751 – October 5, 1811) was a Swedish painter whose notable works include Danaë receiving Jupiter in a Shower of Gold.

Wertmüller was born in Stockholm and studied art at home before moving to Paris in 1772 to study under his cousin Alexander Roslin and French painter Joseph-Marie Vien. On July 30, 1784, Wertmüller was elected to the Royal Academy of Painting and Sculpture.

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