Albert Camus in the context of "Joseph Stalin"

A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure," for the audience. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it.

Originating in the theatre of ancient Greece 2500 years ago, where only a fraction of the works of Aeschylus, Sophocles and Euripides survive, as well as many fragments from other poets, and the later Roman tragedies of Seneca; through its singular articulations in the works of Shakespeare, Lope de Vega, Jean Racine, and Friedrich Schiller to the more recent naturalistic tragedy of Henrik Ibsen and August Strindberg; Nurul Momen's Nemesis' tragic vengeance & Samuel Beckett's modernist meditations on death, loss and suffering; Heiner Müller postmodernist reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. A long line of philosophers—which includes Plato, Aristotle, Saint Augustine, Voltaire, Hume, Diderot, Hegel, Schopenhauer, Kierkegaard, Nietzsche, Freud, Benjamin, Camus, Lacan, and Deleuze—have analysed, speculated upon, and criticised the genre.

The Clash of Civilizations is a thesis that people's cultural and religious identities will be the primary source of conflict in the post–Cold War world. The American political scientist Samuel P. Huntington argued that future wars would be fought not between countries, but between cultures. It was proposed in a 1992 lecture at the American Enterprise Institute, which was then developed in a 1993 Foreign Affairs article titled The Clash of Civilizations?, in response to his former student Francis Fukuyama's 1992 book The End of History and the Last Man. Huntington later expanded his thesis in a 1996 book The Clash of Civilizations and the Remaking of World Order.

The phrase itself was earlier used by Albert Camus in 1946, by Girilal Jain in his analysis of the Ayodhya dispute in 1988, by Bernard Lewis in an article in the September 1990 issue of The Atlantic Monthly titled The Roots of Muslim Rage and by Mahdi El Mandjra in his book La première guerre civilisationnelle published in 1992. Even earlier, the phrase appears in a 1926 book regarding the Middle East by Basil Mathews: Young Islam on Trek: A Study in the Clash of Civilizations. This expression derives from clash of cultures, already used during the colonial period and the Belle Époque.

Existentialism is a family of philosophical views and inquiry that explore the human individual's struggle to lead an authentic life despite the apparent absurdity or incomprehensibility of existence. In examining meaning, purpose, and value, existentialist thought often includes concepts such as existential crises, angst, courage, and freedom.

Existentialism is associated with several 19th- and 20th-century European philosophers who shared an emphasis on the human subject, despite often profound differences in thought. Among the 19th-century figures now associated with existentialism are philosophers Søren Kierkegaard and Friedrich Nietzsche, as well as novelist Fyodor Dostoevsky, all of whom critiqued rationalism and concerned themselves with the problem of meaning. The word existentialism, however, was not coined until the mid 20th century, during which it became most associated with contemporaneous philosophers Jean-Paul Sartre, Martin Heidegger, Simone de Beauvoir, Karl Jaspers, Gabriel Marcel, Paul Tillich, and more controversially Albert Camus.

The 1957 Nobel Prize in Literature was awarded the French writer Albert Camus (1913–1960) "for his important literary production, which with clear-sighted earnestness illuminates the problems of the human conscience in our times." He is the ninth French author to become a recipient of the prize after Catholic novelist François Mauriac in 1952, and the fourth philosopher after British analytic philosopher Bertrand Russell in 1950.

Aged 44 when he received the prize, Camus is the second youngest recipient of the Nobel Prize in Literature, after only Rudyard Kipling (41).

The Stranger (French: L'Étranger [letʁɑ̃ʒe], lit. 'The Foreigner'), also published in English as The Outsider, is a 1942 novella written by French author Albert Camus. The first of Camus' novels to be published, the story follows Meursault, an indifferent settler in French Algeria, who, weeks after his mother's funeral, kills an unnamed Arab man in Algiers. The story is divided into two parts, presenting Meursault's first-person narrative before and after the killing.

Camus completed the initial manuscript by May 1941, with revisions suggested by André Malraux, Jean Paulhan, and Raymond Queneau that were adopted in the final version. The original French-language first edition of the novella was published on 19 May 1942, by Gallimard, under its original title; it appeared in bookstores from that June but was restricted to an initial 4,400 copies, so few that it could not be a bestseller. Even though it was published during the Nazi occupation of France, it went on sale without censorship or omission by the Propaganda-Staffel.

The Plague (French: La Peste) is a 1947 absurdist novel by Albert Camus. The plot centers around the French Algerian city of Oran as it combats a plague outbreak and is put under a city-wide quarantine. The novel presents a snapshot into life in Oran as seen through Camus's absurdist lens.

Camus used as source material the cholera epidemic that killed a large proportion of Oran's population in 1849, but set the novel in the 1940s. Oran and its surroundings were struck by disease several times before Camus published his novel. According to an academic study, Oran was decimated by the bubonic plague in 1556 and 1678, but all later outbreaks (in 1921: 185 cases; 1931: 76 cases; and 1944: 95 cases) were very far from the scale of the epidemic described in the novel.