Al-Isra' in the context of "List of chapters in the Quran"

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⭐ Core Definition: Al-Isra'

Al-Isra' (Arabic: الإسراء, lit.'The Night Journey'), also known as Banī Isrāʾīl (Arabic: بني إسرائيل, lit.'The Children of Israel'), is the 17th chapter (sūrah) of the Quran, with 111 verses (āyāt). The word Isra' refers to the Night Journey of the Islamic prophet Muhammad and about the Children of Israel. This surāh is part of a series of al-Musabbihat surahs because it begins with the glorification of God.

Regarding the timing and contextual background of the revelation (asbāb al-nuzūl), it is traditionally believed to be a Meccan surah, from the second Meccan period (615-619).

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Al-Isra' in the context of Isra' and Mi'raj

The Israʾ and Miʿraj (Arabic: الإسراء والمعراج, al-’Isrā’ wal-Miʿrāj) are the names given to the narrations that the Islamic prophet Muhammad ascended to the sky during a night journey, had a vision of afterlife, and returned. It is believed that expressions without a subject in verses 1-18 of Surāh an-Najm and some verses of the 17th chapter of the Quran, commonly called Surāh al-’Isrā’, allude to the story.

Ibn Sa'd summarizes the earliest version of the written stories; According to him, the angels Gabriel and Michael accompanied Muhammad to a place in the sacred precinct of the Kaaba, between the well of Zamzam and Maqam Ibrahim. There, a ladder (miʿrāj) is said to have been set up by Muhammad and Gabriel, with whose help they ascended to heaven. When he reached the top, Muhammad is said to have met the previous prophets. According to one version of the tradition, Gabriel held Muhammad's hand tightly and ascended with him to heaven. When he reached the Sidrat al-Muntaha mentioned in Sura 53, verse 14, Muhammad saw heaven and hell. So, he was required to perform the original fifty prayers, but negotiated with God to reduce the prayers to 5 and was granted the Last two verses of Al-Baqarah, known as the treasure from God's throne.

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Al-Isra' in the context of Islamic calligraphy

Islamic calligraphy is the artistic practice of penmanship and calligraphy, in the languages which use the Arabic alphabet or the alphabets derived from it. It is a highly stylized and structured form of handwriting that follows artistic conventions and is often used for Islamic religious texts, architecture, and decoration. It includes Arabic, Persian, Ottoman, and Urdu calligraphy. It is known in Arabic as khatt Arabi (خط عربي), literally meaning "line", "design", or "construction".

The development of Islamic calligraphy is strongly tied to the Qur'an, as chapters and verses from the Qur'an are a common and almost universal text upon which Islamic calligraphy is based. Although artistic depictions of people and animals are not explicitly forbidden in the Qur'an, Islamic traditions have often limited figural representation in Islamic religious texts in order to avoid idolatry. Some scholars argue that Kufic script was developed by the late 7th century in Kufa, Iraq, from which it takes its name. This early style later evolved into several forms, including floral, foliated, plaited or interlaced, bordered, and square Kufic. In the ancient world, though, artists sometimes circumvented aniconic prohibitions by creating intricate calligraphic compositions that formed shapes and figures using tiny script. Calligraphy was a valued art form, and was regarded as both an aesthetic and moral pursuit. An ancient Arabic proverb illustrates this point by emphatically stating that "purity of writing is purity of the soul."

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