Akallabêth in the context of "Christianity in Middle-earth"

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👉 Akallabêth in the context of Christianity in Middle-earth

Christianity is a central theme in J. R. R. Tolkien's fictional works about Middle-earth, but the specifics are always kept hidden. This allows for the books' meaning to be personally interpreted by the reader, instead of the author detailing a strict, set meaning.

J. R. R. Tolkien was a devout Roman Catholic from boyhood, and he described The Lord of the Rings in particular as a "fundamentally religious and Catholic work; unconsciously so at first, but consciously in the revision". While he insisted it was not an allegory, it contains numerous themes from Christian theology. These include the battle of good versus evil, the triumph of humility over pride, and the activity of grace. A central theme is death and immortality, with light as a symbol of divine creation, but Tolkien's attitudes as to mercy and pity, resurrection, the Eucharist, salvation, repentance, self-sacrifice, free will, justice, fellowship, authority and healing can also be detected. Divine providence appears indirectly as the will of the Valar, godlike immortals, expressed subtly enough to avoid compromising people's free will. The Silmarillion embodies a detailed narrative of the splintering of the original created light, and of the fall of man in the shape of several incidents including the Akallabêth (The Downfall of Númenor).

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Akallabêth in the context of The Silmarillion

The Silmarillion (Quenya: [silmaˈrilːiɔn]) is a book consisting of a collection of myths and stories in varying styles by the English writer J. R. R. Tolkien. It was edited, partly written, and published posthumously by his son Christopher in 1977, assisted by Guy Gavriel Kay, who became a fantasy author. It tells of , a fictional universe that includes the Blessed Realm of Valinor, the ill-fated region of Beleriand, the island of Númenor, and the continent of Middle-earth, where Tolkien's most popular works—The Hobbit and The Lord of the Rings—are set. After the success of The Hobbit, Tolkien's publisher, Stanley Unwin, requested a sequel, and Tolkien offered a draft of the writings that would later become The Silmarillion. Unwin rejected this proposal, calling the draft obscure and "too Celtic", so Tolkien began working on a new story that eventually became The Lord of the Rings.

The Silmarillion has five parts. The first, Ainulindalë, tells in mythic style of the creation of Eä, the "world that is." The second part, Valaquenta, gives a description of the Valar and Maiar, supernatural powers of Eä. The next section, Quenta Silmarillion, which forms the bulk of the collection, chronicles the history of the events before and during the First Age, including the wars over three jewels, the Silmarils, that gave the book its title. The fourth part, Akallabêth, relates the history of the Downfall of Númenor and its people, which takes place in the Second Age. The final part, Of the Rings of Power and the Third Age, tells the history of the rings during the Second and Third Ages, ending with a summary of the events of The Lord of the Rings.

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Akallabêth in the context of Ranger of the North

In J. R. R. Tolkien's Middle-earth writings, the Dúnedain (Sindarin pronunciation: [ˈduːnɛˌdaɪn]; sing.Dúnadan; lit.'Man of the West') were a race of Men, also known as the Númenóreans or Men of Westernesse (translated from the Sindarin term). Those who survived the sinking of their island kingdom and came to Middle-earth, led by Elendil and his sons, Isildur and Anárion, settled in Arnor and Gondor.

After the Downfall of Númenor, the name Dúnedain was reserved to Númenóreans who were friendly to the Elves: hostile survivors of the Downfall were called Black Númenóreans.

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