Ainulindalë in the context of "Christianity in Middle-earth"

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⭐ Core Definition: Ainulindalë

The Ainulindalë (Quenya: [ˌai̯nuˈlindalɛ]; "Music of the Ainur") is the creation account in J. R. R. Tolkien's legendarium, published posthumously as the first part of The Silmarillion in 1977. The Ainulindalë sets out a central part of the cosmology of Tolkien's legendarium, telling how the Ainur, a class of angelic beings, perform a great music prefiguring the creation of the material universe, , including Middle-Earth.The creator Eru Ilúvatar introduces the theme of the sentient races of Elves and Men, not anticipated by the Ainur, and gives physical being to the prefigured universe. Some of the Ainur decide to enter the physical world to prepare for their arrival, becoming the Valar and Maiar.

Tolkien wrote the initial version of the Ainulindalë between November 1919 and the spring of 1920 as "Music of the Ainur", and then completely rewrote it in 1930. He continued to make further revisions throughout his life. The early version was eventually published by his son Christopher in The Book of Lost Tales 1.

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Ainulindalë in the context of History of Arda

In J. R. R. Tolkien's legendarium, the history of Arda, also called the history of Middle-earth, began when the Ainur entered Arda, following the creation events in the Ainulindalë and long ages of labour throughout , the fictional universe. Time from that point was measured using Valian Years, though the subsequent history of Arda was divided into three time periods using different years, known as the Years of the Lamps, the Years of the Trees, and the Years of the Sun. A separate, overlapping chronology divides the history into 'Ages of the Children of Ilúvatar'. The first such Age began with the Awakening of the Elves during the Years of the Trees and continued for the first six centuries of the Years of the Sun. All the subsequent Ages took place during the Years of the Sun. Most Middle-earth stories take place in the first three Ages of the Children of Ilúvatar.

Major themes of the history are the divine creation of the world, followed by the splintering of the created light as different wills come into conflict. Scholars have noted the biblical echoes of God, Satan, and the fall of man here, rooted in Tolkien's own Christian faith. Arda is, as critics have noted, "our own green and solid Earth at some quite remote epoch in the past." As such, it has not only an immediate story but a history, and the whole thing is an "imagined prehistory" of the Earth as it is now.

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Ainulindalë in the context of Valar

The Valar (['valar]; singular Vala) are characters in J. R. R. Tolkien's Middle-earth writings. They are "angelic powers" or "gods" subordinate to the one God (Eru Ilúvatar). The Ainulindalë describes how some of the Ainur choose to enter the world (Arda) to complete its material development after its form is determined by the Music of the Ainur. The mightiest of these are called the Valar, or "the Powers of the World", and the others are known as the Maiar.

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Ainulindalë in the context of The Silmarillion

The Silmarillion (Quenya: [silmaˈrilːiɔn]) is a book consisting of a collection of myths and stories in varying styles by the English writer J. R. R. Tolkien. It was edited, partly written, and published posthumously by his son Christopher in 1977, assisted by Guy Gavriel Kay, who became a fantasy author. It tells of , a fictional universe that includes the Blessed Realm of Valinor, the ill-fated region of Beleriand, the island of Númenor, and the continent of Middle-earth, where Tolkien's most popular works—The Hobbit and The Lord of the Rings—are set. After the success of The Hobbit, Tolkien's publisher, Stanley Unwin, requested a sequel, and Tolkien offered a draft of the writings that would later become The Silmarillion. Unwin rejected this proposal, calling the draft obscure and "too Celtic", so Tolkien began working on a new story that eventually became The Lord of the Rings.

The Silmarillion has five parts. The first, Ainulindalë, tells in mythic style of the creation of Eä, the "world that is." The second part, Valaquenta, gives a description of the Valar and Maiar, supernatural powers of Eä. The next section, Quenta Silmarillion, which forms the bulk of the collection, chronicles the history of the events before and during the First Age, including the wars over three jewels, the Silmarils, that gave the book its title. The fourth part, Akallabêth, relates the history of the Downfall of Númenor and its people, which takes place in the Second Age. The final part, Of the Rings of Power and the Third Age, tells the history of the rings during the Second and Third Ages, ending with a summary of the events of The Lord of the Rings.

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Ainulindalë in the context of Ainur (Middle-earth)

The Ainur (sing.Ainu) are the immortal spirits existing before the Creation in J. R. R. Tolkien's fictional universe. These were the first beings made of the thought of Eru Ilúvatar. They were able to sing such beautiful music that the world was created from it.
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