Agathon in the context of "Lenaia"

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⭐ Core Definition: Agathon

Agathon (/ˈæɡəθɒn/; Ancient Greek: Ἀγάθων; c. 448 – c. 400 BC) was an Athenian tragic poet whose works have been lost. He is best known for his appearance in Plato's Symposium, which describes the banquet given to celebrate his obtaining a prize for his first tragedy at the Lenaia in 416. He is also a prominent character in Aristophanes' comedy the Thesmophoriazusae.

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Agathon in the context of Pausanias of Athens

Pausanias (/pɔːˈsniəs/; Ancient Greek: Παυσανίας; fl. c. 420 BC) was an ancient Athenian of the deme Kerameis, who was the lover of the poet Agathon.

Although Pausanias is given a significant speaking part in Plato's Symposium, very little is known about him. Ancient anecdotes tend to address only his relationship with Agathon and give us no information about his personal accomplishments. Around 407 BC he removed himself together with Agathon from Athens to the court of the Macedonian king Archelaus.

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Agathon in the context of Thesmophoriazusae

Thesmophoriazusae (Ancient Greek: Θεσμοφοριάζουσαι; Thesmophoriazousai, lit.'women celebrating the festival of the Thesmophoria'), or Women at the Thesmophoria (sometimes also called The Poet and the Women), is one of eleven surviving comedy plays by Aristophanes. It was first produced in 411 BC, probably at the City Dionysia. The play's focuses include the subversive role of women in a male-dominated society; the vanity of contemporary poets, such as the tragic playwrights Euripides and Agathon; and the shameless, enterprising vulgarity of an ordinary Athenian, as represented in this play by the protagonist, Mnesilochus. The work is also notable for Aristophanes' free adaptation of key structural elements of Old Comedy and for the absence of the anti-populist and anti-war comments that pepper his earlier work. It was produced in the same year as Lysistrata, another play with sexual themes.

How Thesmophoriazusae fared in the City Dionysia drama competition is unknown, but the play has been considered one of Aristophanes' most brilliant parodies of Athenian society.

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