Aerial photograph in the context of "Motion picture"

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⭐ Core Definition: Aerial photograph

Aerial photography (or airborne imagery) is the taking of photographs from an aircraft or other airborne platforms. When taking motion pictures, it is also known as aerial videography.

Platforms for aerial photography include fixed-wing aircraft, helicopters, unmanned aerial vehicles (UAVs or "drones"), balloons, blimps and dirigibles, rockets, pigeons, kites, or using action cameras while skydiving or wingsuiting. Handheld cameras may be manually operated by the photographer, while mounted cameras are usually remotely operated or triggered automatically.

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Aerial photograph in the context of Imaging satellite

An Earth observation satellite or Earth remote sensing satellite is a satellite used or designed for Earth observation (EO) from orbit, including spy satellites and similar ones intended for non-military uses such as environmental monitoring, meteorology, cartography and others. The most common type are Earth imaging satellites, that take satellite images, analogous to aerial photographs; some EO satellites may perform remote sensing without forming pictures, such as in GNSS radio occultation.

The first occurrence of satellite remote sensing can be dated to the launch of the first artificial satellite, Sputnik 1, by the Soviet Union on October 4, 1957. Sputnik 1 sent back radio signals, which scientists used to study the ionosphere.The United States Army Ballistic Missile Agency launched the first American satellite, Explorer 1, for NASA's Jet Propulsion Laboratory on January 31, 1958. The information sent back from its radiation detector led to the discovery of the Earth's Van Allen radiation belts. The TIROS-1 spacecraft, launched on April 1, 1960, as part of NASA's Television Infrared Observation Satellite (TIROS) program, sent back the first television footage of weather patterns to be taken from space.

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Aerial photograph in the context of Georeferencing

Georeferencing or georegistration is a type of coordinate transformation that binds a digital raster image or vector database that represents a geographic space (usually a scanned map or aerial photograph) to a spatial reference system, thus locating the digital data in the real world. It is thus the geographic form of image registration or image rectification. The term can refer to the mathematical formulas used to perform the transformation, the metadata stored alongside or within the image file to specify the transformation, or the process of manually or automatically aligning the image to the real world to create such metadata. The most common result is that the image can be visually and analytically integrated with other geographic data in geographic information systems and remote sensing software.

A number of mathematical methods are available, but the process typically involves identifying a sample of several ground control points (GCPs) with known locations on the image and the ground, then using curve fitting techniques to generate a parametric (or piecewise parametric) formula to transform the rest of the image. Once the parameters of the formula are stored, the image may be transformed dynamically at drawing time, or resampled to generate a georeferenced raster GIS file or orthophoto.

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Aerial photograph in the context of No man's land

No man's land is waste or unowned land or an uninhabited or desolate area that may be under dispute between parties who leave it unoccupied out of fear or uncertainty. The term was originally used to define a contested territory or a dumping ground for refuse between fiefdoms. It is commonly associated with World War I to describe the area of land between two enemy trench systems, not controlled by either side. The term is also used metaphorically, to refer to an ambiguous, anomalous, or indefinite area, regarding an application, situation, or jurisdiction. It has sometimes been used to name a specific place.

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Aerial photograph in the context of Nadar

Gaspard-Félix Tournachon (French: [ɡaspaʁ feliks tuʁnaʃɔ̃]; 5 April 1820 – 20 March 1910), known by the pseudonym Nadar (French: [nadaʁ]) or Félix Nadar, was a French photographer, caricaturist, journalist, novelist and balloonist who was a proponent of heavier-than-air flight. In 1858, he became the first person to take aerial photographs. Photographic portraits by Nadar are held by many of the great national collections of photographs. His son, Paul Nadar, continued the studio after his death.

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