Adoration of the Magi in the context of Frankincense

The Northern Renaissance was the Renaissance that occurred in Europe north of the Alps, developing later than the Italian Renaissance, and in most respects only beginning in the last years of the 15th century. It took different forms in the various countries involved, and the German, French, English, Low Countries and Polish Renaissances often had different characteristics.

Early Netherlandish painting, especially its later phases, is often classified as part of the Northern Renaissance. Rapidly expanding trade and commerce and a new class of rich merchant patrons in then Burgundian cities like Bruges in the 15th century and Antwerp in the 16th increased cultural exchange between Italy and the Low Countries; however in art, and especially architecture, late Gothic influences remained present until the arrival of Baroque even as painters increasingly drew on Italian models.

The Adoration of the Magi is a tondo, or circular painting, of the Adoration of the Magi assumed to be that recorded in 1492 in the Palazzo Medici Riccardi in Florence as by Fra Angelico. It dates from the mid-15th century and is now in the National Gallery of Art in Washington D.C. Most art historians think that Filippo Lippi painted more of the original work, and that it was added to some years after by other artists, as well as including work by assistants in the workshops of both the original masters. It has been known as the Washington Tondo and Cook Tondo after Herbert Cook, and this latter name in particular continues to be used over 50 years after the painting left the Cook collection.

The tondo is painted in tempera on a wood panel, and the painted surface has a diameter of 137.3 cm (54 1/16 in.). The National Gallery of Art dates it to "c. 1440/1460".

A Christmas gift or Christmas present is a gift given in celebration of Christmas. Christmas gifts are often exchanged on Christmas Eve (December 24), Christmas Day itself (December 25) or on the last day of the twelve-day Christmas season, Twelfth Night (January 5). The practice of giving gifts during Christmastide, according to Christian tradition, is symbolic of the presentation of the gifts by the Three Wise Men to the infant Jesus.

The Franks Casket (or the Auzon Casket) is a small Anglo-Saxon whale's bone (not "whalebone" in the sense of baleen) chest from the early 8th century, now in the British Museum. The casket is densely decorated with knife-cut narrative scenes in flat two-dimensional low-relief and with inscriptions mostly in Anglo-Saxon runes. Generally thought to be of Northumbrian origin, it is of unique importance for the insight it gives into early Anglo-Saxon art and culture. Both identifying the images and interpreting the runic inscriptions has generated a considerable amount of scholarship.

The imagery is very diverse in its subject matter and derivations, and includes a single Christian image, the Adoration of the Magi, along with images derived from Roman history (Emperor Titus) and Roman mythology (Romulus and Remus), as well as a depiction of at least one legend indigenous to the Germanic peoples: that of Weyland the Smith. It has also been suggested that there may be an episode from the Sigurd legend, an otherwise lost episode from the life of Weyland's brother Egil, a Homeric legend involving Achilles, and perhaps even an allusion to the legendary founding of England by Hengist and Horsa.

The Bladelin Altarpiece, or Middelburg Altarpiece, is a triptych painting created around 1450 by the Early Netherlandish painter Rogier van der Weyden, towards the end of his artistic career. It depicts scenes relating to the birth of Jesus; and as the only nativity scene definitively attributed to van der Weyden is sometimes known as the Nativity Triptych (although the Saint Columba Altarpiece shows the Adoration of the Magi).

The triptych was donated to the new church of Middelburg in 1460, possibly by the town's founder Pieter Bladelin. It has been in the Gemäldegalerie, Berlin, since 1834.

The Ospedale degli Innocenti (Italian pronunciation: [ospeˈdaːle deʎʎ innoˈtʃɛnti]; 'Hospital of the Innocents'), also known in old Tuscan dialect as the Spedale degli Innocenti, is a historic building in Florence, Italy. It was designed by Filippo Brunelleschi, who received the commission in 1419 from the Arte della Seta. It was originally a foundling hospital. It is regarded as a notable example of early Italian Renaissance architecture. The hospital, which features a nine bay loggia facing the Piazza SS. Annunziata, was built and managed by the Arte della Seta or Silk Guild of Florence. That guild was one of the wealthiest in the city and, like most guilds, took upon itself philanthropic duties.

The building "is considered to be the first pure Early Renaissance structure." Today the building houses a small museum of Renaissance art with works by Luca della Robbia, Sandro Botticelli, and Piero di Cosimo, as well as an Adoration of the Magi by Domenico Ghirlandaio.

100 Great Paintings is a British television series broadcast in 1980 on BBC Two, devised by Edwin Mullins. He chose 20 thematic groups, such as war, the Adoration, the language of colour, the hunt, and bathing, picking five paintings from each. The selection ranges from 12th-century China through the 1950s, with an emphasis on European paintings. He deliberately avoided especially famous paintings, such as Leonardo da Vinci's Mona Lisa or John Constable's The Hay Wain. The series is available on VHS and DVD.

On the basis of the series, Mullins published the book Great Paintings: Fifty Masterpieces, Explored, Explained and Appreciated (1981), which contained about half of the theme groups. A German translation of Mullins' book appeared as 100 Meisterwerke in 1983. In 1985, a second volume came out, only in Germany, which discussed the remaining 50 paintings.

The Adoration of the Kings by the Early Netherlandish painter Gerard David (c. 1460 – 1523) is a painting in oil on panel, probably from after 1515, now in the National Gallery in London (NG 1079). The painted surface measures some 60 by 59.2 centimetres (23.6 in × 23.3 in), and the panel is about 2 centimetres (0.79 in) larger in both dimensions. The panel comes from a dismantled altarpiece from which one other panel appears to survive, the Lamentation that is also in the National Gallery (NG 1078).

The Adoration of the Magi is a common subject, which often represents the Nativity of Jesus in art, especially in this period, when the opportunity was often taken to show rich costumes in the figures of the Biblical Magi and their retinue, as for example in the slightly earlier Adoration by Jan Gossaert, also in the National Gallery, to which David is sometimes thought to have contributed. Though that is a much larger and more crowded painting, David may have borrowed aspects of the composition here from it.