Adeste Fideles in the context of "Sheet music"

⭐ In the context of sheet music, prior to the widespread use of paper, what materials were commonly employed for its creation?

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⭐ Core Definition: Adeste Fideles

"O Come, All Ye Faithful", also known as "Adeste Fideles", is a Christmas carol that has been attributed to various authors, including John Francis Wade (1711–1786), John Reading (1645–1692), King John IV of Portugal (1604–1656), and anonymous Cistercian monks. The earliest printed version is in a book published by Wade. A manuscript by Wade, dating to 1751, is held by Stonyhurst College in Lancashire.

The original four verses of the hymn were extended to a total of eight, and these have been translated into many languages. In 1841, the English Catholic priest Frederick Oakeley translated the hymn into English as "O Come All Ye Faithful", which became widespread in English-speaking countries.

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👉 Adeste Fideles in the context of Sheet music

Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece. Like its analogs – printed books or pamphlets in English, Arabic, or other languages – the medium of sheet music typically is paper (or, in earlier centuries, papyrus or parchment). However, access to musical notation since the 1980s has included the presentation of scores on computer screens and the development of scorewriter computer programs that can notate a song or piece electronically, and, in some cases, "play back" the notated music using a synthesizer or virtual instruments.

The use of the term sheet is intended to differentiate written or printed forms of music from sound recordings (on vinyl record, cassette, CD), radio or TV broadcasts or recorded live performances, which may capture film or video footage of the performance as well as the audio component. In everyday use, sheet music (or simply music) can refer to the print publication of commercial sheet music in conjunction with the release of a new film, TV show, record album, or other unique or popular event which involves music. The first printed sheet music made with a printing press was made in 1473.

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Adeste Fideles in the context of Song lyrics

Lyrics are words that make up a song, usually consisting of verses and choruses. The writer of lyrics is a lyricist. The words to an extended musical composition such as an opera are, however, usually known as a "libretto" and their writer, as a "librettist". Rap songs and grime contain rap lyrics (often with a variation of rhyming words) that are meant to be spoken rhythmically rather than sung. The meaning of lyrics can either be explicit or implicit. Some lyrics are abstract, almost unintelligible, and, in such cases, their explication emphasizes form, articulation, meter, and symmetry of expression.

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Adeste Fideles in the context of John Francis Wade

John Francis Wade (1 January 1711 – 16 August 1786) was an English hymnist who is usually credited with writing and composing the hymn "Adeste Fideles" (which was translated as "O Come All Ye Faithful" in 1841 by Frederick Oakeley). The authorship is disputed, with 13th-century cardinal St. Bonaventure and King John IV of Portugal being proposed as alternative composers, although the earliest known manuscripts of the hymn discovered from 1946 all bear Wade's signature. Others argue for John Reading (c. 1645 – c. 1692) or anonymous Cistercian monks.

Wade fled to France after the Jacobite rising of 1745 was crushed. As a Catholic layman, he lived with exiled English Catholics in France, where he taught music and worked on church music for private use.

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Adeste Fideles in the context of Hymn tune

A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part (or more) harmony, a fast harmonic rhythm (chords change frequently), with or without refrain or chorus.

From the late sixteenth century in England and Scotland, when most people were not musically literate and learned melodies by rote, it was a common practice to sing a new text to a hymn tune the singers already knew which had a suitable meter and character.

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