Accent (sociolinguistics) in the context of "Regional accents of English"

American English, sometimes called United States English or U.S. English, is the set of varieties of the English language native to the United States. English is the most widely spoken language in the U.S. and is an official language in 32 of the 50 U.S. states. It is the de facto common language used in government, education, and commerce in all 50 states, the District of Columbia, and in all territories except Puerto Rico. De jure, there is no official language in the U.S. at the federal level, as there is no federal law designating any language to be official. However, Executive Order 14224 of 2025 declared English to be the official language of the U.S., and English is recognized as such by federal agencies. Since the late 20th century, American English has become the most influential form of English worldwide.

Varieties of American English include many patterns of pronunciation, vocabulary, grammar, and particularly spelling that are unified nationwide but distinct from other forms of English around the world. Any American or Canadian accent perceived as lacking noticeably local, ethnic, or cultural markers is known in linguistics as General American; it covers a fairly uniform accent continuum native to certain regions of the U.S. but especially associated with broadcast mass media and highly educated speech. However, historical and present linguistic evidence does not support the notion of there being one single mainstream American accent. The sound of American English continues to evolve, with some local accents disappearing, but several larger regional accents having emerged in the 20th century.

African-American Vernacular English (AAVE), sometimes formerly known as Ebonics, is the variety of English natively spoken by most working and middle-class African Americans, particularly in urban communities. This variety is also spoken amongst some Black Canadians. Having its own unique grammatical, vocabulary, and accent features, AAVE is employed by middle-class Black Americans as the more informal and casual end of a sociolinguistic continuum. However, in formal speaking contexts, speakers tend to switch to more standard English grammar and vocabulary, usually while retaining elements of the vernacular (non-standard) accent. AAVE is widespread throughout the United States, but it is not the native dialect of all African Americans, nor are all of its speakers African American.

Like most varieties of African-American English, African-American Vernacular English shares a large portion of its grammar and phonology with the regional dialects of the Southern United States, and especially older Southern American English, due to the historical enslavement of African Americans primarily in that region.

General American English, known in linguistics simply as General American (abbreviated GA or GenAm), is the umbrella accent of American English used by a majority of Americans, encompassing a continuum rather than a single unified accent. It is often perceived by Americans themselves as lacking any distinctly regional, ethnic, or socioeconomic characteristics, though Americans with high education, or from the (North) Midland, Western New England, and Western regions of the country are the most likely to be perceived as using General American speech. The precise definition and usefulness of the term continue to be debated, and the scholars who use it today admittedly do so as a convenient basis for comparison rather than for exactness. Some scholars prefer other names, such as Standard American English, though this can be a wider term encompassing more than just accent.

Standard Canadian English accents may be considered to fall under General American, especially in opposition to the United Kingdom's Received Pronunciation. Noted phonetician John C. Wells, for instance, claimed in 1982 that typical Canadian English accents align with General American in nearly every situation where British and American accents differ.

Acting is an activity in which a story is told by means of its enactment by an actor who adopts a character—in theatre, television, film, radio, or any other medium that makes use of the mimetic mode.

Acting involves a broad range of skills, including a well-developed imagination, emotional facility, physical expressivity, vocal projection, clarity of speech, and the ability to interpret drama. Acting also demands an ability to employ dialects, accents, improvisation, observation and emulation, mime, and stage combat. Many actors train at length in specialist programs or colleges to develop these skills. The vast majority of professional actors have gone through extensive training. Actors and actresses will often have many instructors and teachers for a full range of training involving singing, scene-work, audition techniques, and acting for camera.

Stylistics, a branch of applied linguistics, is the study and interpretation of texts of all types, but particularly literary texts, and spoken language with regard to their linguistic and tonal style, where style is the particular variety of language used by different individuals in different situations and settings. For example, the vernacular, or everyday language, may be used among casual friends, whereas more formal language, with respect to grammar, pronunciation or accent, and lexicon or choice of words, is often used in a cover letter and résumé and while speaking during a job interview.

As a discipline, stylistics links literary criticism to linguistics. It does not function as an autonomous domain on its own, and it can be applied to an understanding of literature and journalism as well as linguistics. Sources of study in stylistics may range from canonical works of writing to popular texts, and from advertising copy to news, non-fiction, and popular culture, as well as to political and religious discourse. Indeed, as recent work in critical stylistics, multimodal stylistics and mediated stylistics has made clear, non-literary texts may be of just as much interest to stylisticians as literary ones. Literariness, in other words, is here conceived as 'a point on a cline rather than as an absolute'.

Received Pronunciation (RP) is the accent of British English regarded as the standard one, carrying the highest social prestige, since as late as the beginning of the 20th century. It is also commonly referred to as the Queen's English or King's English. The study of RP is concerned only with matters of pronunciation, while other features of standard British English, such as vocabulary, grammar, and style, are not considered.

Language scholars have long disagreed on RP's exact definition, how geographically neutral it is, how many speakers there are, the nature and classification of its sub-varieties, how appropriate a choice it is as a standard, how the accent has changed over time, and even its name. Furthermore, RP has changed to such a degree over the last century that many of its early 20th-century traditions of transcription and analysis have become outdated or are no longer considered evidence-based by linguists. Standard Southern British English (SSBE) is a label some linguists use for the variety that gradually evolved from RP in the late 20th century and replaced it as the commonplace standard variety of Southern England, while others now simply use SSBE and RP as synonyms. Still, the older traditions of RP analysis continue to be commonly taught and used, for instance in language education and comparative linguistics, and RP remains a popular umbrella term in British society.

The spoken English language in Northern England has been shaped by the region's history of settlement and migration, and today encompasses a group of related accents and dialects known as Northern England English or Northern English.

The strongest influence on modern varieties of Northern English was the Northumbrian dialect of Middle English. Additional influences came from contact with Old Norse during the Viking Age; with Irish English following the Great Famine, particularly in Lancashire and the south of Yorkshire; and with Midlands dialects since the Industrial Revolution. All these produced new and distinctive styles of speech.