Ligature (writing) in the context of "Ideograms"

An ideogram or ideograph (from Greek idéa 'idea' + gráphō 'to write') is a symbol that is used within a given writing system to represent an idea or concept in a given language. (Ideograms are contrasted with phonograms, which indicate sounds of speech and thus are independent of any particular language.) Some ideograms are more arbitrary than others: some are only meaningful assuming preexisting familiarity with some convention; others more directly resemble their signifieds. Ideograms that represent physical objects by visually illustrating them are called pictograms.

• Numerals and mathematical symbols are ideograms, for example ⟨1⟩ 'one', ⟨2⟩ 'two', ⟨+⟩ 'plus', and ⟨=⟩ 'equals'.
• The ampersand ⟨&⟩ is used in many languages to represent the word and, originally a stylized ligature of the Latin word et.
• Other typographical examples include ⟨§⟩ 'section', ⟨€⟩ 'euro', ⟨£⟩ 'pound sterling', and ⟨©⟩ 'copyright'.

A digraph (from Ancient Greek δίς (dís) 'double' and γράφω (gráphō) 'to write') or digram is a pair of characters used in the orthography of a language to write either a single phoneme (distinct sound), or a sequence of phonemes that does not correspond to the normal values of the two characters combined.

Some digraphs represent phonemes that cannot be represented with a single character in the writing system of a language, like ⟨ch⟩ in Spanish chico and ocho. Other digraphs represent phonemes that can also be represented by single characters. A digraph that shares its pronunciation with a single character may be a relic from an earlier period of the language when the digraph had a different pronunciation, or may represent a distinction that is made only in certain dialects, like the English ⟨wh⟩. Some such digraphs are used for purely etymological reasons, like ⟨ph⟩ in French.

The Old English Latin alphabet generally consisted of about 24 letters, and was used for writing Old English from the 8th to the 12th centuries. Of these letters, most were directly adopted from the Latin alphabet, two were modified Latin letters (Æ, Ð), and two developed from the runic alphabet (Ƿ, Þ). The letters Q and Z were essentially left unused outside of foreign names from Latin and Greek. The letter J had not yet come into use. The letter K was used by some writers but not by others. W gained usage in late Old English under Norman influence, as seen towards the end of the Peterborough Chronicle manuscript, though in this period W was still a ligature and not a full-fledged letter. The manuscripts MS Harley 208, Stowe MS 57, and Cotton Titus D 18 differ in how they arrange the non-standard Old English letters (Harley has Ƿ–ЖƖÞ, Stowe has Ƿ–ЖÞ, Titus has Ƿ–Þ–Ð), but all three manuscripts place them after the standard Latin letters.

Om (or Aum; listen; Sanskrit: ॐ, ओम्, romanized: Oṃ, Auṃ, ISO 15919: Ōṁ) is a polysemous symbol representing a sacred sound, seed syllable, mantra, and invocation in Hinduism as well as in other Indian religions. Its written form is the most important symbol in the Hindu religion. It is the essence of the supreme Absolute, consciousness, Ātman, Brahman, or the cosmic world. In Indian religions, Om serves as a sonic representation of the divine, a standard of Vedic authority and a central aspect of soteriological doctrines and practices. It is the basic tool for meditation in the yogic path to liberation. The syllable is often found at the beginning and the end of chapters in the Vedas, the Upanishads, and other Hindu texts. It is described as the goal of all the Vedas.

Om emerged in the Vedic corpus and is said to be an encapsulated form of Samavedic chants or songs. It is a sacred spiritual incantation made before and during the recitation of spiritual texts, during puja and private prayers, in ceremonies of rites of passage (samskara) such as weddings, and during meditative and spiritual activities such as Pranava yoga. It is part of the iconography found in ancient and medieval era manuscripts, temples, monasteries, and spiritual retreats in Hinduism, Buddhism, Jainism, and Sikhism. As a syllable, it is often chanted either independently or before a spiritual recitation and during meditation in Hinduism, Buddhism, and Jainism.

Old Bengali was the earliest recorded form of the Bengali language, spoken in the Bengal region of eastern Indian subcontinent during the Middle Ages. It developed from an Apabhraṃśa of Magadhi Prakrit around 650 AD, and the first Bengali literary works date from the 8th century. Between 1200 and 1350 AD, no written form or literary work of Bengali language is found; during this period the Islamic conquest took place in Bengal. It is marked as the barren age, and also marks the end of the Old Bengali era, as the Middle Bengali language developed later.

Old Bengali is an Indo-Aryan language that is one of the Eastern Indo-Aryan languages, and its closest relatives are Old Odia and Kamarupi Prakrit. Like other Old Eastern Indo-Aryan languages, it is distinct from Modern Bengali and is not fully comprehensible to Modern Bengali speakers without study. Within Old Bengali grammar, the verb evolved and a letter is omitted from a ligature formed by consonants.