Abu Simbel in the context of "Prisoners of war"

Nefertari (also known as Nefertari Meritmut; Akkadian: Naptera) was an Egyptian queen and the first of the Great Royal Wives (or principal wives) of Ramesses the Great. She is one of the best known Egyptian queens, among such women as Cleopatra, Nefertiti, and Hatshepsut, and one of the most prominent not known or thought to have reigned in her own right. She was highly educated and able to both read and write hieroglyphs, a very rare skill at the time. She used these skills in her diplomatic work, corresponding with other prominent royals of the time. Her lavishly decorated tomb, QV66, is one of the largest and most spectacular in the Valley of the Queens. Ramesses also constructed a temple for her at Abu Simbel next to his colossal monument there.

Nabta Playa was once a large endorheic basin (a temporary lake, or "playa") in the Nubian Desert, located approximately 800 kilometers south of modern-day Cairo or about 100 kilometers west of Abu Simbel in southern Egypt, 22.51° north, 30.73° east. Today the region is characterized by numerous archaeological sites. The Nabta Playa archaeological site, one of the earliest of the Nubian Neolithic Period, is dated to circa 7500 BC.

The Kadesh inscriptions or Qadesh inscriptions are a variety of Egyptian hieroglyphic inscriptions describing the Battle of Kadesh (1274 BC). The combined evidence in the form of texts and wall reliefs provide the best documented description of a battle in all of ancient history.

The Egyptian version of the battle of Kadesh is recorded in two primary accounts, known as the Bulletin or Report and the Poem which are often placed side by side in the locations they were inscribed. In addition, some reliefs also inscribed in the same location offer pictorial depictions of the battle. Some scholars divide these accounts into three. The Bulletin is repeated seven times and the Poem eight times, spread across temples in Abydos, Temple of Luxor, Karnak, Abu Simbel and the Ramesseum, and two hieratic papyri.

Johann Ludwig (also known as John Lewis, Jean Louis) Burckhardt (Arabic: يوهان لودفيك بركهارت; 24 November 1784 – 15 October 1817) was a Swiss traveller, geographer, and Orientalist. Burckhardt assumed the alias Sheikh Ibrahim Ibn Abdallah during his travels in Arabia. He wrote his letters in French and signed Louis. He is best known for rediscovering two of the world's most famous examples of rock-cut architecture – the ruins of the ancient Nabataean city of Petra in Jordan and the temples of Abu Simbel in Egypt.

Giovanni Battista Belzoni (Italian pronunciation: [dʒoˈvanni batˈtista belˈtsoːni]; 5 November 1778 – 3 December 1823), sometimes known as The Great Belzoni, was a prolific Italian explorer and pioneer archaeologist of Egyptian antiquities. He is known for his removal to England of the seven-tonne bust of Ramesses II, the clearing of sand from the entrance of the great people at Abu Simbel, the discovery and documentation of the tomb of Seti I (still sometimes known as "Belzoni's Tomb"), including the sarcophagus of Seti I, and the first to penetrate into the Pyramid of Khafre, the second pyramid of the Giza complex.

QV66 is the tomb of Nefertari, the Great Wife of Pharaoh Ramesses II, in Egypt's Valley of the Queens. It was discovered by Ernesto Schiaparelli (the director of the Egyptian Museum in Turin) in 1904. Nefertari, which means "The most beautiful (one) among them", was Ramesses II's favorite wife; he went out of his way to make this obvious, referring to her as "the one for whom the sun shines" in his writings, built the Temple of Hathor at Abu Simbel to idolize her as a deity, and commissioned portraiture wall paintings. In the Valley of the Queens, Nefertari's tomb once held the mummified body and representative symbolisms of her, consistent with most Egyptian tombs of the period. Now, everything has been looted except for two thirds of the 5,200 square feet of wall paintings. For what still remains, these wall paintings characterized Nefertari's character. Her face received particular attention to emphasize her beauty, especially the shape of her eyes, the blush of her cheeks, and her eyebrows. Some paintings were full of lines and color of red, blue, yellow, and green that portrayed exquisite directions to navigating through the afterlife to paradise.