Absolutism (European history) in the context of "Louis XIV of France"

Louis XIV (Louis-Dieudonné; 5 September 1638 – 1 September 1715), also known as Louis the Great (Louis le Grand [lwi lə ɡʁɑ̃]) or the Sun King (le Roi Soleil [lə ʁwa sɔlɛj]), was King of France from 1643 until his death in 1715. His reign of 72 years and 110 days is the longest of any monarch in history. An emblem of the age of absolutism in Europe, Louis XIV's legacy includes French colonial expansion, the conclusion of the Thirty Years' War involving the Habsburgs, and a controlling influence on the style of fine arts and architecture in France, including the transformation of the Palace of Versailles into a center of royal power and politics. Louis XIV's pageantry and opulence helped define the French Baroque style of art and architecture and promoted his image as supreme leader of France in the early modern period.

Louis XIV began his personal rule of France in 1661 after the death of his chief minister Cardinal Mazarin. A believer in the divine right of kings, Louis XIV continued Louis XIII's work of creating a centralized state governed from a capital. Louis XIV sought to eliminate the remnants of feudalism persisting in parts of France by compelling many members of the nobility to reside at his lavish Palace of Versailles. In doing so, he succeeded in pacifying the aristocracy, many of whom had participated in the Fronde rebellions during his minority. He consolidated a system of absolute monarchy in France that endured until the French Revolution. Louis XIV enforced uniformity of religion under the Catholic Church. His revocation of the Edict of Nantes abolished the rights of the Huguenot Protestant minority and subjected them to a wave of dragonnades, effectively forcing Huguenots to emigrate or convert, virtually destroying the French Protestant community.

Academic art, academicism, or academism, is a style of painting and sculpture produced under the influence of European academies of art. This method extended its influence throughout the Western world over several centuries, from its origins in Italy in the mid-16th century, until its dissipation in the early 20th century. It reached its apogee in the 19th century, after the end of the Napoleonic Wars in 1815. In this period, the standards of the French Académie des Beaux-Arts were very influential, combining elements of Neoclassicism and Romanticism, with Jean-Auguste-Dominique Ingres a key figure in the formation of the style in painting. The success of the French model led to the founding of countless other art academies in several countries. Later painters who tried to continue the synthesis included William-Adolphe Bouguereau, Thomas Couture, and Hans Makart among many others. In sculpture, academic art is characterized by a tendency towards monumentality, as in the works of Auguste Bartholdi and Daniel Chester French.

The academies were established to replace medieval artists' guilds and aimed to systematize the teaching of art. They emphasized the emulation of established masters and the classical tradition, downplaying the importance of individual creativity, valuing instead collective, aesthetic and ethical concepts. By helping raise the professional status of artists, the academies distanced them from artisans and brought them closer to intellectuals. They also played a crucial role in organizing the art world, controlling cultural ideology, taste, criticism, the art market, as well as the exhibition and dissemination of art. They wielded significant influence due to their association with state power, often acting as conduits for the dissemination of artistic, political, and social ideals, by deciding what was considered "official art". As a result, they faced criticism and controversy from artists and others on the margins of these academic circles, and their restrictive and universalist regulations are sometimes considered a reflection of absolutism.

The divine right of kings is a political and religious doctrine of political legitimacy of a monarchy in post-Reformation Western Christianity culminating in the Age of Absolutism (c. 1610 – c. 1789). It is also known as the divine-right theory of kingship.

The doctrine asserts that a monarch is not accountable to any earthly authority (such as a parliament or the Pope) because their right to rule is derived from divine authority. Thus, the monarch is not subject to the will of the people, of the aristocracy, or of any other estate of the realm. It follows that only divine authority can judge a monarch, and that any attempt to depose, dethrone, resist or restrict their powers runs contrary to God's will and may constitute a sacrilegious act. It does not imply that their power is absolute.

Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival, but the existence of important Baroque art and architecture in non-absolutist and Protestant states throughout Western Europe underscores its widespread popularity.

Baroque painting encompasses a great range of styles, as most important and major painting during the period beginning around 1600 and continuing throughout the 17th century, and into the early 18th century is identified today as Baroque painting. In its most typical manifestations, Baroque art is characterized by great drama, rich, deep colour, and intense light and dark shadows, but the classicism of French Baroque painters like Poussin and Dutch genre painters such as Vermeer are also covered by the term, at least in English. As opposed to Renaissance art, which usually showed the moment before an event took place, Baroque artists chose the most dramatic point, the moment when the action was occurring: Michelangelo, working in the High Renaissance, shows his David composed and still before he battles Goliath; Bernini's Baroque David is caught in the act of hurling the stone at the giant. Baroque art was meant to evoke emotion and passion instead of the calm rationality that had been prized during the Renaissance.

Nakaz, or Instruction, of Catherine the Great (Russian: Наказ Екатерины II Комиссии о составлении проекта нового Уложения, transliteration: Nakaz Jekateriny II Komissiji o sostavleniji projekta novogo Uloženija), was a statement of legal principles written by Catherine II of Russia, and permeated with the ideas of the French Enlightenment. It was compiled as a guide for the All-Russian Legislative Commission convened in 1767 for the purpose of replacing the mid-17th-century Muscovite code of laws with a modern law code. Catherine believed that to strengthen law and institutions was above all else to strengthen the monarchy.

The Instruction proclaimed the equality of all men before the law and disapproved of the death penalty and torture, thus anticipating some of the issues raised by the later United States Constitution and the Polish Constitution. Although the ideas of absolutism were emphatically upheld, the stance towards serfdom is more blurry: the chapter about peasants was retouched a number of times.

The King's Law (Danish: Kongeloven) or Lex Regia (also called the Danish Royal Law of 1665) was the absolutist constitution of Denmark and Norway from 1665 until 1849 and 1814, respectively. It established complete hereditary and absolute monarchy and formalized the king's absolute power, and is regarded the most sovereign form of all the European expressions of absolutism. Some scholars of legal history assert that with Europe's least circumscribed form of absolutism, Denmark "may be considered the most absolute of all the absolute European monarchies." It is the only formal constitution of any absolute monarchy, and has therefore been the subject of considerable historical and academic attention.

The King's Law comprises 40 articles and is divided into seven main chapters. Articles 1 to 7 determine the royal absolute power, and the following articles contain rules on the king's authority and guardianship, on the king's accession and anointing, on the indivisibility of the kingdoms, on princes and princesses, on the king's duty to maintain absolute monarchy, and on the succession.

During the Middle Ages, the Kingdom of France was a decentralised, feudal monarchy. In Brittany, Normandy, Lorraine, Provence, East Burgundy and Catalonia (the latter now a part of Spain), as well as Aquitaine, the authority of the French king was barely felt. France in the Middle Ages (roughly, from the 10th century to the middle of the 15th century) was marked by the fragmentation of the Carolingian Empire and West Francia (843–987); the expansion of royal control by the House of Capet (987–1328), including their struggles with the virtually independent principalities (duchies and counties, such as the Norman and Angevin regions), and the creation and extension of administrative and state control (notably under Philip II Augustus and Louis IX) in the 13th century; and the rise of the House of Valois (1328–1589), including the protracted dynastic crisis against the House of Plantagenet and their Angevin Empire, culminating in the Hundred Years' War (1337–1453) (compounded by the catastrophic Black Death in 1348), which laid the seeds for a more centralised and expanded state in the early modern period and the creation of a sense of French identity.

Up to the 12th century, the territory experienced an elaboration and extension of the seigneurial economic system (including the attachment of peasants to the land through serfdom); the extension of the feudal system of political rights and obligations between lords and vassals; the so-called "feudal revolution" of the 11th century during which ever smaller lords took control of local lands in many regions; and the appropriation by regional/local seigneurs of various administrative, fiscal and judicial rights for themselves. From the 13th century on, the state slowly regained control of a number of these lost powers. The crises of the 13th and 14th centuries led to the convening of an advisory assembly, the Estates General, and also to an effective end to serfdom. During the 70-year reign of Louis XIV, absolutist policies from Paris tightly constrained the regional nobility, centralising political power at Versailles.

The 3 September 1843 Revolution (Greek: Επανάσταση της 3ης Σεπτεμβρίου 1843; N.S. 15 September) was an uprising by the Hellenic Army in Athens, supported by large sections of the people, against the autocratic rule of King Otto. The rebels, led by veterans of the Greek War of Independence, demanded the granting of a constitution and the departure of the Bavarian officials that dominated the government. The revolution succeeded, ushering the period of constitutional monarchy (under the 1844 constitution) and universal suffrage in Greece.