Abbey of Saint Gall in the context of "Hot air balloon"

The Lindau Gospels is an illuminated manuscript in the Morgan Library in New York, which is important for its illuminated text, but still more so for its treasure binding, or metalwork covers, which are of different periods. The oldest element of the book is what is now the back cover, which was probably produced in the later 8th century in modern Austria, but in the context of missionary settlements from Britain or Ireland, as the style is that of the Insular art of the British Isles. The upper cover is late Carolingian work of about 880, and the text of the gospel book itself was written and decorated at the Abbey of Saint Gall around the same time, or slightly later.

When J.P. Morgan, already in his early sixties, bought the book in 1901, it was his first major purchase of a medieval manuscript, setting the direction that much of his subsequent collecting was to follow.

Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" can also be applied to non-Western art musics. Classical music is often characterized by formality and complexity in its musical form and harmonic organization, particularly with the use of polyphony. Since at least the ninth century, it has been primarily a written tradition, spawning a sophisticated notational system, as well as accompanying literature in analytical, critical, historiographical, musicological and philosophical practices.

Rooted in the patronage of churches and royal courts in Europe, surviving early medieval music is chiefly religious, monophonic and vocal, with the music of ancient Greece and Rome influencing its thought and theory. The earliest extant music manuscripts date from the Carolingian Empire (800–887), around the time which Western plainchant gradually unified into what is termed Gregorian chant. Musical centers existed at the Abbey of Saint Gall, the Abbey of Saint Martial and Saint Emmeram's Abbey, while the 11th century saw the development of staff notation and increasing output from medieval music theorists. By the mid-12th century, France became the major European musical center: the religious Notre-Dame school first fully explored organized rhythms and polyphony, while secular music flourished with the troubadour and trouvère traditions led by poet-musician nobles. This culminated in the court-sponsored French ars nova and Italian Trecento, which evolved into ars subtilior, a stylistic movement of extreme rhythmic diversity. Beginning in the early 15th century, Renaissance composers of the influential Franco-Flemish School built on the harmonic principles in the English contenance angloise, bringing choral music to new standards, particularly the mass and motet. Northern Italy soon emerged as the central musical region, where the Roman School engaged in highly sophisticated methods of polyphony in genres such as the madrigal, which inspired the brief English Madrigal School.

St. Gallen is a Swiss city and the capital of the canton of St. Gallen. It evolved from the hermitage of Saint Gall, founded in the 7th century. Today, it is a large urban agglomeration (with around 167,000 inhabitants in 2019) and represents the center of eastern Switzerland. Its economy consists mainly of the service sector. The city is home to the University of St. Gallen, one of the best business schools in Europe.

The main tourist attraction is the Abbey of Saint Gall, a UNESCO World Heritage Site. The Abbey's renowned library contains books from the 9th century. The official language of St. Gallen is (the Swiss variety of Standard) German, but the main spoken language is the local variant of Alemannic Swiss German. The city has good transport links to the rest of the country and to neighbouring Germany and Austria. It also functions as the gate to the Appenzellerland.

The Edictum Rothari (transl. Edict of Rothari; also Edictus Rothari or Edictum Rotharis) was the first written compilation of Lombard law, codified and promulgated on 22 November 643 by King Rothari in Pavia by a gairethinx, an assembly of the army. According to Paul the Deacon, the 8th century Lombard historian, the custom law of the Lombards (Lombardic: cawarfidae) had been held in memory before this. The Edict, recorded in Vulgar Latin, comprised primarily the Germanic custom law of the Lombards, with some modifications to limit the power of feudal rulers and strengthen the authority of the king. Although the edict has been drafted in Latin, a few Lombard words were left untranslated, such as "grabworfin, arga, sculdhais, morgingab, metfio, federfio, mahrworfin, launegild, thinx, waregang, gastald, mundius, angargathung, fara, walupaus, gairethinx, aldius, actugild or, wegworin".

The Edict, divided into 388 chapters, was primitive in comparison to other Germanic legislation of the time. It was also comparatively late, for the Franks, Visigoths, and Anglo-Saxons had all compiled codices of law long before. Unlike the 6th century Breviarium Alaricianum of Visigoth king Alaric II, the Edict was mostly Germanic tribal law dealing with weregilds, inheritance, and duels, not a code of Roman law. In spite of its Latin language, it was not a Roman product, and unlike the near-contemporary Forum Iudicum of the Visigoths, it was not influenced by Canon law. Its only dealing with ecclesial matters was a prohibition on violence in churches. The Edict gives military authority to the dukes and gives civil authority to a schulthais (or reeve) in the countryside and a castaldus (or gastald) in cities.