A Harlot's Progress in the context of Marriage A-la-Mode (Hogarth)

⭐ Core Definition: A Harlot's Progress

A Harlot's Progress (also known as The Harlot's Progress) is a series of six paintings (1731, now destroyed) and engravings (1732) by the English artist William Hogarth. The series shows the story of a young woman, M. (Moll or Mary) Hackabout, who arrives in London from the country and becomes a prostitute. The series was developed from the third image. After painting a prostitute in her boudoir in a garret on Drury Lane, Hogarth struck upon the idea of creating scenes from her earlier and later life. The title and allegory are reminiscent of John Bunyan's Pilgrim's Progress.

In the first scene, an old woman praises her beauty and suggests a profitable occupation. In the second, she is a mistress with two lovers. In the third, she is a prostitute and is being arrested. In the fourth, she is beating hemp in Bridewell Prison. In the fifth scene, she is dying from venereal disease. In the last panel, she is dead at the age of 23.

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👉 A Harlot's Progress in the context of Marriage A-la-Mode (Hogarth)

Marriage A-la-Mode is a series of six pictures painted by William Hogarth between 1743 and 1745, intended as a pointed skewering of 18th-century society. They show the disastrous results of an ill-considered marriage for money or social status, and satirize patronage and aesthetics. The pictures are held in the National Gallery in London.

This series was not received as well as his other moral tales, A Harlot's Progress (1732) and A Rake's Progress (1735), and when the paintings were finally sold in 1751, it was for a much lower sum than the artist had hoped for.

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⭐ Core Definition: A Harlot's Progress
👉 A Harlot's Progress in the context of Marriage A-la-Mode (Hogarth)
A Harlot's Progress in the context of William Hogarth
A Harlot's Progress in the context of Oliver Twist (novel)

A Harlot's Progress in the context of William Hogarth

William Hogarth FRSA (/ˈhoʊɡɑːrθ/; 10 November 1697 – 26 October 1764) was an English painter, engraver, satirist, cartoonist and writer. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Familiarity with his work is so widespread that satirical political illustrations in this style are often referred to as "Hogarthian".

Hogarth was born in the City of London into a lower-middle-class family. In his youth he took up an apprenticeship with an engraver, but did not complete the apprenticeship. His father underwent periods of mixed fortune, and was at one time imprisoned in lieu of payment of outstanding debts, an event that is thought to have informed William's paintings and prints with a hard edge.

View the full Wikipedia page for William Hogarth

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A Harlot's Progress in the context of Oliver Twist (novel)

Oliver Twist; or, The Parish Boy's Progress, is the second novel by English author Charles Dickens. It was originally published as a serial from 1837 to 1839 and as a three-volume book in 1838. The story follows orphan Oliver Twist, who, after being raised in a workhouse, escapes to London, where he meets a gang of juvenile pickpockets led by the elderly criminal Fagin, discovers the secrets of his parentage, and reconnects with his remaining family.

Oliver Twist unromantically portrays the sordid lives of criminals and exposes the cruel treatment of the many orphans in England in the mid-19th century. The alternative title, The Parish Boy's Progress, alludes to Bunyan's The Pilgrim's Progress as well as the 18th-century caricature series by painter William Hogarth, A Rake's Progress and A Harlot's Progress.

View the full Wikipedia page for Oliver Twist (novel)

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