A-side and B-side in the context of Rolling Stones


A-side and B-side in the context of Rolling Stones

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⭐ Core Definition: A-side and B-side

The A-side and B-side are the two sides of vinyl records and cassettes, and the terms have often been printed on the labels of two-sided music recordings, which in purely technical terms of recording and playback do not favor any side over the other. The A-side of a single usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay, with the aim of it becoming a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides.

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A-side and B-side in the context of Single (music)

In music, a single is a type of release of a song recording of fewer tracks than an album (LP), typically one or two tracks. A single can be released for sale to the public in a variety of physical or digital formats. Singles may be standalone tracks or connected to an artist's album, and in the latter case would often have at least one single release before the album itself, called lead singles.

The single was defined in the mid-20th century with the 45 (named after its speed in revolutions per minute), a type of 7-inch sized vinyl record containing an A-side and a B-side, i.e. one song on each side. The single format was highly influential in pop music and the early days of rock and roll, and it was the format used for jukeboxes and preferred by younger populations in the 1950s and 1960s.

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A-side and B-side in the context of The Rolling Stones

The Rolling Stones are an English rock band formed in London in 1962. Active for over six decades, they are one of the most popular, influential, and enduring bands of the rock era. In the early 1960s, the band pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, guitarist Keith Richards, multi-instrumentalist Brian Jones, bassist Bill Wyman, and drummer Charlie Watts, after pianist Ian Stewart was side-lined by their manager Andrew Loog Oldham. During their early years, Jones was the primary leader. Oldham encouraged them to write their own songs. The Jagger–Richards partnership soon became the band's primary songwriting and creative force.

Rooted in blues and early rock and roll, the Rolling Stones started out playing cover versions and were at the forefront of the British Invasion in 1964, becoming identified with the youthful counterculture of the 1960s. They then found greater success with their own compositions: "(I Can't Get No) Satisfaction", "Get Off of My Cloud" (both 1965) and "Paint It Black" (1966) became international number-one hits. Aftermath (1966), their first album to be entirely of original material, is often considered to be the most important of their early albums. In 1967, they had the double-sided hit "Ruby Tuesday"/"Let's Spend the Night Together" and experimented with psychedelic rock on Their Satanic Majesties Request. By the end of the 1960s, they had returned to their rhythm and blues-based rock sound, with hit singles "Jumpin' Jack Flash" (1968) and "Honky Tonk Women" (1969), and albums Beggars Banquet (1968), featuring "Sympathy for the Devil" and "Street Fighting Man", and Let It Bleed (1969), featuring "You Can't Always Get What You Want" and "Gimme Shelter".

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A-side and B-side in the context of CD single

A CD single is a music single in the form of a compact disc (CD). Originally the CD single standard (as defined in the Red Book) was an 8 cm (3-inch) "mini CD" (CD3); later on the term referred to any single recorded onto a CD of any size, particularly the 12 cm (5-inch) "full-size" disc (CD5). From a technical viewpoint, a CD single is identical to any other audio CD. The format started gaining popularity in the early 1990s, but quickly declined in the early and mid 2000s, in favor of digital downloaded singles and CD albums.

Commercially released CD singles can vary in length from two songs (an A side and B side, in the tradition of 7-inch 45-rpm records) up to six songs like an EP, which would be marketed as a maxi single in some regions. Some contain multiple mixes of one or more songs (known as remixes), in the tradition of 12-inch vinyl singles, and in some cases, they may also contain a music video for the single itself (this is an enhanced CD) as well as occasionally a poster. Depending on the country of release, there may be limits on the number of songs and total length for sales to count in singles charts.

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A-side and B-side in the context of Treacherous Three

The Treacherous Three was a pioneering American hip hop group that was formed in 1978 and consisted of DJ Easy Lee, Kool Moe Dee, L.A. Sunshine, Special K and Spoonie Gee (who left in the late 1970s), with occasional contributions from DJ Dano B, DJ Reggie Reg and DJ Crazy Eddie. They first appeared on record in 1980 on the B-side of Spoonie Gee's single, "Love Rap".

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A-side and B-side in the context of B movies

A B movie, or B film, is a type of low-budget commercial motion picture. Originally, during the Golden Age of Hollywood, this term specifically referred to films meant to be shown as the lesser-known second half of a double feature, somewhat similar to B-sides in recorded music. However, the production of such films as "second features" in the United States largely declined by the end of the 1950s. This shift was due to the rise of commercial television, which prompted film studio B movie production departments to transition into television film production divisions. These divisions continued to create content similar to B movies, albeit in the form of low-budget films and series.

Today, the term "B movie" is used in a broader sense. In post-Golden Age usage, B movies can encompass a wide spectrum of films, ranging from sensationalistic exploitation films to independent arthouse productions.

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