Aśvaghoṣa in the context of Prakrit


Aśvaghoṣa in the context of Prakrit

⭐ Core Definition: Aśvaghoṣa

Aśvaghoṣa, also transliterated Ashvaghosha (Sanskrit: [ˌɐɕʋɐˈɡʱoːʂɐ], अश्वघोष; lit. "Having a Horse-Voice"; Tibetan: སློབ་དཔོན་དཔའ་བོ།, Wylie: slob dpon dpa' bo; Chinese: 馬鳴菩薩; pinyin: Mǎmíng púsà; lit. 'Bodhisattva with a Horse-Voice') (c. 80 – c. 150 CE), was a Buddhist philosopher, dramatist, poet, musician, and orator from India. He was born in Saketa, today known as Ayodhya.

He is believed to have been the first Sanskrit dramatist, and is considered the greatest Indian poet prior to Kālidāsa. It seems probable that he was the contemporary and spiritual adviser of Kanishka in the first century of our era. He was the most famous in a group of Buddhist court writers, whose epics rivaled the contemporary Ramayana. Whereas much of Buddhist literature prior to the time of Aśvaghoṣa had been composed in Pāli and Prakrit, Aśvaghoṣa wrote in Classical Sanskrit. He may have been associated with the Sarvāstivāda or the Mahasanghika schools.

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Aśvaghoṣa in the context of Buddhacarita

Buddhacharita (Sanskrit: बुद्धचरितम्, romanizedBuddhacaritam; transl. Acts of the Buddha) is an epic poem in the Sanskrit mahakavya style on the life of Gautama Buddha by Aśvaghoṣa of Sāketa (modern Ayodhya), composed in the early second century CE.

The author has prepared an account of the Buddha's life and teachings which, unlike other treatments such as Mahavastu (“Great Story”) and Lalitavistara (“Full Description of the Play [of the Buddha]”), is not only artistically arranged but also restrained in the description of the miracles of Gautam Buddha. His work also reflects a vast knowledge of Indian mythology and pre-Buddhist philosophy, as well as a court poet's interest in love, war, and statecraft.

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Aśvaghoṣa in the context of Kāvya

Kāvya (Devanagari: काव्य, IAST: kāvyá) was the Sanskrit literary style used by Indian court poets flourishing between c. 200 BCE and 1200 CE.

This literary style, which includes both poetry and prose, is characterised by abundant usage of figures of speech such as metaphors, similes, and hyperbole to create its characteristic emotional effects. The result is a short lyrical work, court epic, narrative or dramatic work. Kāvya can refer to the style or the completed body of literature. Aśvaghoṣa (c. 80–150 CE), a philosopher and poet considered the father of Sanskrit drama, is attributed with first using the term.

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