35mm format in the context of "Film gauge"

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⭐ Core Definition: 35mm format

135 film, more popularly referred to as 35 mm film or 35 mm, is a format of photographic film with a film gauge of 35 mm (1.4 in) loaded into a standardized type of magazine (also referred to as a cassette or cartridge) for use in 135 film cameras.

The term 135 was introduced by Kodak in 1934 as a designation for 35 mm film specifically for still photography, perforated with Kodak Standard perforations. It quickly grew in popularity, surpassing 120 film by the late 1960s to become the most popular photographic film size. Despite competition from formats such as 120, 828, 126, 110, and APS, it remains the most popular film size today.

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35mm format in the context of Film format

A film format is a technical definition of a set of standard characteristics regarding image capture on photographic film for still images or film stock for filmmaking. It can also apply to projected film, either slides or movies. The primary characteristic of a film format is its size and shape.

In the case of motion picture film, the format sometimes includes audio parameters. Other characteristics usually include the film gauge, pulldown method, lens anamorphosis (or lack thereof), and film gate or projector aperture dimensions, all of which need to be defined for photography as well as projection, as they may differ.

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35mm format in the context of Point-and-shoot camera

A point-and-shoot camera, also known as a compact camera and sometimes abbreviated to P&S, is a still camera (either film or digital) designed primarily for simple operation. Most use focus free lenses or autofocus for focusing, automatic systems for setting the exposure options, and have flash units built in. They are popular for vernacular photography by people who do not consider themselves photographers but want easy-to-use cameras for snapshots of vacations, parties, reunions and other events.

Most compact digital cameras use small 1/2.3-type (“1/2.3-inch”) image sensors, but since 2008, a few non-interchangeable lens compact cameras use a larger sensor such as 1.0-type (“1-inch”), APS-C (e.g. Fujifilm X100 series), or even full frame (e.g. Sony RX1 series). Most models prioritize being operated in auto mode, but some high end point-and-shoot cameras have PASM (program, aperture priority, shutter priority, and manual modes) on the mode dial, raw image format, and a hot shoe. None have interchangeable lenses, but some have secondary lens mounts.

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35mm format in the context of Ansco

Ansco was the brand name of a photographic company based in Binghamton, New York, which produced photographic films, papers and cameras from the mid-19th century until the 1980s.

In the late 1880s, Ansco's predecessor, Anthony and Scovill, bought the Goodwin Camera & Film Company. Hannibal Goodwin invented flexible photographic film, which should have made Anthony and Scovill the leader in the amateur photography business. However, George Eastman copied the patented process and immediately set out to compete against Anthony and Scovill. The ruthless behavior of Eastman nearly drove the now-named Ansco out of business, but a settlement in 1905 saved the company from bankruptcy. Eastman Kodak got away cheaply in this legal proceeding. In 1928 Agfa of Germany merged with Ansco and allowed it to compete in the worldwide photographic market like its competitors, Kodak and Zeiss. This joint company added many Agfa cameras and accessories to its sales in the USA as a result. In the months after the bombing of Pearl Harbor, the US Government seized Agfa-Ansco. This now government-run business continued to survive as a hostile alien property (under government control into the 1960s). During this period, the organization was renamed GAF (General Aniline & Film Corporation). Throughout the postwar period the concern sold rebadged versions of cameras made by other manufacturers, including Agfa and Chinon. A Minolta-built Ansco model was the first 35 mm camera in outer space, and their film was used in space, too.

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35mm format in the context of Wide shot

In photography, filmmaking and video production, a wide shot (sometimes referred to as a full shot or long shot) is a shot that typically shows the entire object or human figure and is usually intended to place it in some relation to its surroundings. These are typically shot now using wide-angle lenses (an approximately 25 mm lens in 35 mm photography and 10 mm lens in 16 mm photography). However, due to sheer distance, establishing shots and extremely wide shots can use almost any camera type.

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