Michel Foucault in the context of "Biopolitics"

Sexual attitudes and behaviors in ancient Rome are indicated by art, literature, and inscriptions, and to a lesser extent by archaeological remains such as erotic artifacts and architecture. It has sometimes been assumed that "unlimited sexual license" was characteristic of ancient Rome, but sexuality was not excluded as a concern of the mos maiorum, the traditional social norms that affected public, private, and military life. Pudor, "shame, modesty", was a regulating factor in behavior, as were legal strictures on certain sexual transgressions in both the Republican and Imperial periods. The censors—public officials who determined the social rank of individuals—had the power to remove citizens from the senatorial or equestrian order for sexual misconduct, and on occasion did so. The mid-20th-century sexuality theorist Michel Foucault regarded sex throughout the Greco-Roman world as governed by restraint and the art of managing sexual pleasure.

Roman society was patriarchal (see paterfamilias), and masculinity was premised on a capacity for governing oneself and others of lower status, not only in war and politics, but also in sexual relations. Virtus, "virtue", was an active masculine ideal of self-discipline, related to the Latin word for "man", vir. The corresponding ideal for a woman was pudicitia, often translated as chastity or modesty, but it was a more positive and even competitive personal quality that displayed both her attractiveness and self-control. Roman women of the upper classes were expected to be well educated, strong of character, and active in maintaining their family's standing in society. With extremely few exceptions, surviving Latin literature preserves the voices of educated male Romans on sexuality. Visual art was created by those of lower social status and of a greater range of ethnicity, but was tailored to the taste and inclinations of those wealthy enough to afford it, including, in the Imperial era, former slaves.

In philosophy, genealogy is a historical technique in which one questions the commonly understood emergence of various philosophical and social beliefs by attempting to account for the scope, breadth, or totality of discourse, thus extending the possibility of analysis. Moreover, a genealogy often attempts to look beyond the discourse in question toward the conditions of their possibility (particularly in Michel Foucault's genealogies). It has been developed as a continuation of the works of Friedrich Nietzsche. Genealogy is opposed to the Marxist use of ideology to explain the totality of historical discourse within the time period in question by focusing on a singular or dominant discourse (ideology).

For example, tracking the lineages of a concept such as 'globalization' can be called a 'genealogy' to the extent that the concept is located in its changing constitutive setting. This entails not just documenting its changing meaning (etymology) but the social basis of its changing meaning.

Discourse is a generalization of the notion of a conversation to any form of communication. Discourse is a major topic in social theory, with work spanning fields such as sociology, anthropology, continental philosophy, and discourse analysis. Following work by Michel Foucault, these fields view discourse as a system of thought, knowledge, or communication that constructs our world experience. Since control of discourse amounts to control of how the world is perceived, social theory often studies discourse as a window into power. Within theoretical linguistics, discourse is understood more narrowly as linguistic information exchange and was one of the major motivations for the framework of dynamic semantics. In these expressions, denotations are equated with their ability to update a discourse context.

Edward Wadie Said (1 November 1935 – 24 September 2003) was a Palestinian and American academic, literary critic, and political activist. As a professor of literature at Columbia University, he was among the founders of post-colonial studies. As a cultural critic, Said is best known for his book Orientalism (1978), a foundational text which critiques the cultural representations that are the bases of Orientalism—how the Western world perceives the Orient. His model of textual analysis transformed the academic discourse of researchers in literary theory, literary criticism, and Middle Eastern studies.

Born in Jerusalem, Mandatory Palestine, in 1935, Said was a United States citizen by way of his father, who had served in the United States Army during World War I. After the 1948 Palestine war, he relocated the family to Egypt, where they had previously lived, and then to the United States. Said enrolled at the secondary school Victoria College while in Egypt and Northfield Mount Hermon School after arriving in the United States. He graduated from Princeton University in 1957 and received a doctorate in English literature from Harvard University in 1964. His principal influences were Antonio Gramsci, Frantz Fanon, Aimé Césaire, Michel Foucault, and Theodor W. Adorno.

Giorgio Agamben (/əˈɡæmbən/ ə-GAM-bən; Italian: [ˈdʒordʒo aˈɡamben]; born 22 April 1942) is an Italian philosopher whose work spans political theory, ontology, aesthetics, and literature. He is best known for developing the concepts of the state of exception and homo sacer, which explore the relationship between sovereignty, legal authority, and what he calls 'bare life'. His writings draw on sources including Aristotle, Roman law, Christian theology, Martin Heidegger, Walter Benjamin, Ludwig Wittgenstein, St. Augustine and Carl Schmitt among others, and engage critically with Michel Foucault’s account of biopolitics and biopower. Agamben’s multi-volume Homo Sacer project has been widely discussed within political philosophy, jurisprudence, anthropology, and the humanities, and he is considered one of the most influential writers in contemporary continental philosophy.

Agamben has held teaching and research positions at institutions including the University of Verona, the University of Macerata, the University of Palermo, and the Università Iuav di Venezia, and he has lectured widely in Europe and North America. His publications include Homo Sacer: Sovereign Power and Bare Life (1995), State of Exception (2003), The Kingdom and the Glory (2007), and The Use of Bodies (2014), alongside works on language, poetry, and the history of Western metaphysics. His ideas have generated substantial scholarly debate and have influenced fields ranging from political theory to literary studies.

Ludwik Fleck (Polish pronunciation: [lud.vik flɛk], Hebrew: לודוויק פלק; 11 July 1896 – 5 June 1961) was a Polish, Jewish, and Israeli physician and biologist who did important work in epidemic typhus in Lwów, Poland, with Rudolf Weigl and in the 1930s developed the concepts of "Denkstil" ("thought style") and "Denkkollektiv" ("thought collective").

Fleck's concept of "thought collective" is important in the philosophy of science and in logology (the "science of science"), helping explain how scientific ideas change over time, much as in Thomas Kuhn's later notion of "paradigm shift" (on Fleck's possible influence on Kuhn, see Jarnicki and Greif) and in Michel Foucault's concept of "episteme".

The gaze (French: le regard), in the figurative sense, is an individual's (or a group's) awareness and perception of other individuals, other groups, or oneself. Since the 20th century, the concept and the social applications of the gaze have been expanded by phenomenologist, existentialist, and post-structuralist philosophers. Jean-Paul Sartre described the gaze (or the look) in Being and Nothingness (1943). Michel Foucault, in Discipline and Punish: The Birth of the Prison (1975), developed the concept of the gaze to illustrate the dynamics of socio-political power relations and the social dynamics of society's mechanisms of discipline. Jacques Derrida, in The Animal That Therefore I Am (More to Come) (1997), elaborated upon the inter-species relations that exist among human beings and other animals, which are established by way of the gaze.

Madness and Civilization: A History of Insanity in the Age of Reason (French: Folie et Déraison: Histoire de la folie à l'âge classique, 1961) is an examination by Michel Foucault of the evolution of the meaning of madness in the cultures and laws, politics, philosophy, and medicine of Europe—from the Middle Ages until the end of the 18th century—and a critique of the idea of history and of the historical method.

Although he uses the language of phenomenology to describe the influence of social structures in the history of the Othering of insane people from society, Madness and Civilization is Foucault's philosophic progress from phenomenology toward something like structuralism (a label Foucault himself always adamantly rejected).