16mm in the context of Ciné-Kodak


16mm in the context of Ciné-Kodak

⭐ Core Definition: 16mm

16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about 23 inch); other common film gauges include 8 mm and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational, television) film-making, or for low-budget motion pictures. It also existed as a popular amateur or home movie-making format for several decades, alongside 8 mm film and later Super 8 film. Eastman Kodak released the first 16 mm "outfit" in 1923, consisting of a Ciné-Kodak camera, Kodascope projector, tripod, screen and splicer, for US$335 (equivalent to US$6,182 in 2024). RCA-Victor introduced a 16 mm sound movie projector in 1932, and developed an optical sound-on-film 16 mm camera, released in 1935.

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16mm in the context of Kodascope

Kodascope is a name created by Eastman Kodak Company for the projector it placed on the market in 1923 as part of the first 16mm motion picture equipment. The original Kodascope was part of an outfit that included the Cine-Kodak camera, tripod, Kodascope projector, projection screen, and film splicer, all of which sold together for $335. By 1924, Victor Animatograph Corporation and Bell and Howell had placed 16mm projectors on the market, so Kodak eliminated the requirement to purchase the equipment as a complete outfit and sold the projector separately. Kodascope was retained as the primary marketing name for 16mm projectors throughout their production life at Kodak.

One specific Kodascope was the 'Bedaux Measurement Cine-Kodak' which was produced for use in conjunction with the Bedaux System.

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16mm in the context of Victor Animatograph Corporation

The Victor Animatograph Corporation was a maker of projection equipment founded in 1910 in Davenport, Iowa by Swedish-born American inventor Alexander F. Victor.

The firm introduced its first 16 mm camera and movie projector on August 12, 1923, the same year Eastman Kodak introduced the Cine-Kodak and Kodascope. Victor advertised through his entire career thereafter that he had marketed the first 16mm equipment, but his claim was incorrect by several weeks, since the Cine-Kodak had been introduced in July, substantially earlier than Victor's August marketing date. Victor's first 16mm camera was a hand-cranked rectangular aluminum box designed for the additional film economy of cranking only 14 frames per second instead of the standard sixteen. A later version of this first Victor was driven by an electric motor. Neither camera sold in large numbers, but Victor followed in 1927 with a more successful camera modeled on the Bell & Howell Filmo. Victor offered many models of 16mm projectors, most with only minor variations, but prior to military contracts won during World War II, all were made and sold in very small numbers, from 20 units to usually no more than a couple of thousand units.The company was a large producer of lantern slides using their "Featherweight" method- a one piece glass positive with a durable emulsion framed by a cardboard mat.

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