1400–1500 in fashion in the context of Houppelande


1400–1500 in fashion in the context of Houppelande

⭐ Core Definition: 1400–1500 in fashion

Fashion in 15th-century Europe was characterized by a surge of experimentation and regional variety, from the voluminous robes called houppelandes with their sweeping floor-length sleeves to the revealing giornea of Renaissance Italy. Hats, hoods, and other headdresses assumed increasing importance, and were draped, jeweled, and feathered.

As Europe continued to grow more prosperous, the urban middle classes, skilled workers, began to wear more complex clothes that followed, at a distance, the fashions set by the elites. It is in this time period that fashion took on a temporal aspect. People could now be dated by their clothes, and being in "out of date" clothing became a new social concern. National variations in clothing seem on the whole to have increased over the 15th century.

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1400–1500 in fashion in the context of The Ugly Duchess

The Ugly Duchess (also known as A Grotesque Old Woman) is a satirical portrait painted by the Flemish artist Quinten Matsys around 1513.

The painting is in oil on an oak panel, measuring 62.4 by 45.5 cm. It shows an old woman with wrinkled skin and withered breasts. She wears the aristocratic horned headdress (escoffion) of her youth, out of fashion by the time of the painting, and holds in her right hand a red flower, then a symbol of engagement, indicating that she is trying to attract a suitor. However, it has been described as a bud that will 'likely never blossom'. The work is Matsys' best-known painting.

View the full Wikipedia page for The Ugly Duchess
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