List_of_Intangible_Cultural_Heritage_elements_in_France

⭐ In the context of mime, which theatrical influence most directly contributed to Étienne Decroux's development of corporeal mime as a highly sculptural form?

Étienne Decroux was significantly influenced by Jacques Copeau, who in turn was strongly influenced by commedia dell'arte and Japanese Noh theatre, leading him to explore and develop corporeal mime into a sculptural form.

⭐ Core Definition: List of Intangible Cultural Heritage elements in France

The United Nations Educational, Scientific and Cultural Organisation (UNESCO) intangible cultural heritage elements are the non-physical traditions and practices performed by a people. As part of a country's cultural heritage, they include celebrations, festivals, performances, oral traditions, music, and the making of handicrafts. The "intangible cultural heritage" is defined by the Convention for the Safeguarding of Intangible Cultural Heritage, drafted in 2003 and took effect in 2006. Inscription of new heritage elements on the UNESCO Intangible Cultural Heritage Lists is determined by the Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage, an organisation established by the convention.

France ratified the convention on 11 July 2006. It registered its first element on the representative list in 2008.

↓ Menu

👉 List of Intangible Cultural Heritage elements in France in the context of Mime

A mime artist, or simply mime (from Greek μῖμος, mimos, "imitator, actor"), is a person who uses mime (also called pantomime outside of Britain), the acting out of a story through body motions without the use of speech, as a theatrical medium or as a performance art. In earlier times, in English, such a performer would typically be referred to as a mummer. Miming is distinguished from silent comedy, in which the artist is a character in a film or skit without sound.

Jacques Copeau, strongly influenced by commedia dell'arte and Japanese Noh theatre, used masks in the training of his actors. His pupil Étienne Decroux was highly influenced by this, started exploring and developing the possibilities of mime, and developed corporeal mime into a highly sculptural form, taking it outside the realms of naturalism. Jacques Lecoq contributed significantly to the development of mime and physical theatre with his training methods. As a result of this, the practice of mime has been included in the list of Intangible Cultural Heritage elements in France since 2017.

↓ Explore More Topics