Nihonga in the context of "National Museum of Modern Art, Tokyo"

⭐ In the context of the National Museum of Modern Art, Tokyo, Nihonga is considered…

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⭐ Core Definition: Nihonga

Nihonga (Japanese: 日本画) is a Japanese style of painting that typically uses mineral pigments, and occasionally ink, together with other organic pigments on silk or paper. The term was coined during the Meiji period (1868–1912) to differentiate it from its counterpart, known as Yōga (洋画) or Western-style painting. The term translates to "pictures in a Japanese style."

In the narrow sense, it refers to paintings that were developed during the 77 years from the Meiji Restoration to the end of World War II based on traditional Japanese techniques and styles, such as calligraphy and hand-painted painting , rather than oil painting. In contrast, oil paintings were called Yōga.

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👉 Nihonga in the context of National Museum of Modern Art, Tokyo

The National Museum of Modern Art, Tokyo (東京国立近代美術館, Tōkyō Kokuritsu Kindai Bijutsukan), also known as MOMAT, is the foremost museum collecting and exhibiting modern Japanese art. The museum, in Chiyoda, Tokyo, Japan, is known for its collection of 20th-century art and includes Western-style and Nihonga artists. It has a branch, the National Crafts Museum, in the city of Kanazawa.

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Nihonga in the context of Metempsychosis (Yokoyama Taikan)

Metempsychosis (生々流転, Seisei ruten), alternatively translated as The Wheel of Life, is a painting by Japanese Nihonga artist Yokoyama Taikan. First displayed at the tenth Inten exhibition in 1923, it forms part of the collection of the National Museum of Modern Art, Tokyo, and has been designated an Important Cultural Property.

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Nihonga in the context of Yokoyama Taikan

Yokoyama Taikan (横山 大観; November 2, 1868 – February 26, 1958) was the art-name of a major figure in pre-World War II Japanese painting. He is notable for helping create the Japanese painting technique of Nihonga.

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Nihonga in the context of Gyoshū Hayami

Gyoshū Hayami (速水 御舟, Hayami Gyoshū; August 2, 1894 – March 20, 1935) was the pseudonym of a Japanese painter in the Nihonga style, active during the Taishō and Shōwa eras. His real name was Eiichi Maita.

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Nihonga in the context of Yamatane Museum

The Yamatane Museum of Art (山種美術館, Yamatane Bijutsukan) is a museum in Japan specializing in the nihonga style of Japanese watercolour painting. It is run by the Yamatane Art Foundation. The museum holds 7-8 exhibitions per year.

The Yamatane museum was opened in 1966 by the Yamatane art foundation, an organization based on the personal collection of Yamazaki Taneji and the corporate collection of Yamatane securities (now SMBC Friend Securities). There is a long-term exhibition of lesser works, with periodic displays organized. The foundation organizes moving exhibitions of works in their possession. The museum owns famous nihonga paintings including some with "object of national cultural significance" status. The quality of their collection is very high.

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Nihonga in the context of Yōga (art)

Yōga (洋画; literally "Western-style painting") is a style of artistic painting in Japan, typically of Japanese subjects, themes, or landscapes, but using Western (European) artistic conventions, techniques, and materials. The term was coined in the Meiji period (1868–1912) to distinguish Western-influenced artwork from indigenous, or more traditional Japanese paintings, or Nihonga (日本画).

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