Tarquinia in the context of "Etruscan mythology"

Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of ancient Greece, and sharing similarities with concurrent Roman mythology and religion. As the Etruscan civilization was gradually assimilated into the Roman Republic from the 4th century BC, the Etruscan religion and mythology were partially incorporated into ancient Roman culture, following the Roman tendency to absorb some of the local gods and customs of conquered lands. The first attestations of an Etruscan religion can be traced back to the Villanovan culture.

The Triptolemos Painter was an ancient Greek vase painter, belonging to the Attic red-figure style. He was active in Athens between 490 and 470 BC. His real name is not known. He started working in the workshop of Euphronios, where he was probably taught by Douris. Later, he also worked for the potters Brygos, Hieron and Python. Initially, his style was strongly influenced by Archaic art. His later works are mediocre in quality. Nonetheless, his repertoire is broad, reaching from the Apaturia procession via erotic scenes and Theban scenes to the departure of Triptolemos (his name vase).

Aita (Etruscan: 𐌀𐌕𐌉𐌀), also spelled Eita (Etruscan: 𐌀𐌕𐌉𐌄), is an epithet of the Etruscan chthonic fire god Śuri as god of the underworld, roughly equivalent to the Greek god Hades (Epic Greek: Ἄϊδης, romanized: Áïdēs).

Troilus (English: /ˈtrɔɪləs/ or /ˈtroʊələs/; Ancient Greek: Τρωΐλος, romanized: Troïlos; Latin: Troilus) is a legendary character associated with the story of the Trojan War. The first surviving reference to him is in Homer's Iliad, composed in the late 8th century BC.

In Greek mythology, Troilus is a young Trojan prince, one of the sons of King Priam (or Apollo) and Hecuba. Prophecies link Troilus' fate to that of Troy and so he is ambushed and murdered by Achilles. Sophocles was one of the writers to tell this tale. It was also a popular theme among artists of the time. Ancient writers treated Troilus as the epitome of a dead child mourned by his parents. He was also regarded as a paragon of youthful male beauty.

Caere (also Caisra and Cisra) is the Latin name given by the Romans to one of the larger cities of southern Etruria, the modern Cerveteri, approximately 50–60 kilometres north-northwest of Rome. To the Etruscans it was known as Cisra, to the Greeks as Agylla and to the Phoenicians as 𐤊𐤉𐤔𐤓𐤉𐤀 (KYŠRYʼ).

Caere was one of the most important and populous Etruscan city-states, in area 15 times larger than today's town, and only Tarquinia was equal in power at its height around 600 BC. Caere was also one of the cities of the Etruscan League.Its sea port and monumental sanctuary at Pyrgi was important for overseas trade.Today, the area of Cerveteri is best known for its Etruscan necropolis and archaeological treasures.

The Tomb of Orcus (Italian: Tomba dell'Orco), sometimes called the Tomb of Murina (Italian: Tomba dei Murina), is a 4th-century BC Etruscan hypogeum (burial chamber) in Tarquinia, Italy. Discovered in 1868, it displays Hellenistic influences in its remarkable murals, which include the portrait of Velia Velcha, an Etruscan noblewoman, and the only known pictorial representation of the daemon Tuchulcha. In general, the murals are noted for their depiction of death, evil, and unhappiness.

Because the tomb was built in two sections at two stages, it is sometimes referred to as the Tombs of Orcus I and II; it is believed to have belonged to the Murina family, an offshoot of the Etruscan Spurinnae. The foundation is inscribed with the following inscription:

Oltos was a Late Archaic Greek vase painter, active in Athens from 525 BC to 500 BC. About 150 works by him are known. Two pieces, a cup in Berlin (Antikensammlung F 2264) and a cup in Tarquinia (Museo Nazionale Tarquiniese RC 6848), are signed by him as painter.

The Tomb of the Bulls (Italian: Tomba dei tori) is an Etruscan tomb in the Necropolis of Monterozzi near Tarquinia, Lazio, Italy. It was discovered in 1892 and has been dated back to either 540–530 BC or 530–520 BC. According to an inscription Arath Spuriana apparently commissioned the construction of the tomb. It is named after the two bulls which appear on one of its frescoes. It is the earliest example of a tomb with complex frescoes in the necropolis, and the stylistic elements are derived from Ionian Greek culture. Along with the frescoes of the Tomb of the Whipping these paintings are relatively rare examples of explicit sexual scenes in Etruscan art, which were far more common in Ancient Greek art.

Like other Etruscan tombs, it would originally have contained many grave goods, especially Etruscan pottery, now removed.