Ancient Agora of Athens in the context of "Aphrodite Pandemos"

⭐ In the context of Aphrodite Pandemos, the Ancient Agora of Athens is considered significant because…

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⭐ Core Definition: Ancient Agora of Athens

The Ancient Agora of Athens (also called the Classical Agora) is an ancient Greek agora. It is located to the northwest of the Acropolis, and bounded on the south by the hill of the Areopagus and on the west by the hill known as the Agoraios Kolonos, also called Market Hill. The Agora's initial use was for a commercial, assembly, or residential gathering place.

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👉 Ancient Agora of Athens in the context of Aphrodite Pandemos

Aphrodite Pandemos (Ancient Greek: Πάνδημος, romanizedPándēmos; "common to all the people") occurs as an epithet of the Greek goddess Aphrodite. This epithet can be interpreted in different ways. In Plato's Symposium, Pausanias of Athens describes Aphrodite Pandemos as the goddess of sensual pleasures, in opposition to Aphrodite Urania, or "the heavenly Aphrodite". At Elis, she was represented as riding on a ram by Scopas. Another interpretation is that of Aphrodite uniting all the inhabitants of a country into one social or political body. In this respect she was worshipped at Athens along with Peitho (persuasion), and her worship was said to have been instituted by Theseus at the time when he united the scattered townships into one great body of citizens. According to some authorities, it was Solon who erected the sanctuary of Aphrodite Pandemos, either because her image stood in the agora, or because the hetairai had to pay the costs of its erection. The worship of Aphrodite Pandemos also occurs at Megalopolis in Arcadia, and at Thebes. A festival in honour of her is mentioned by Athenaeus. The sacrifices offered to her consisted of white goats. Pandemos occurs also as a surname of Eros. According to Harpocration, who quotes Apollodorus, Aphrodite Pandemos has very old origins, "the title Pandemos was given to the goddess established in the neighborhood of the Old Agora because all the Demos (people) gathered there of old in their assemblies which they called agorai." To honour Aphrodite's and Peitho's role in the unification of Attica, the Aphrodisia festival was organized annually on the fourth of the month of Hekatombaion (the fourth day of each month was the sacred day of Aphrodite). The Synoikia that honoured Athena, the protectress of Theseus and main patron of Athens, also took place in the month of Hekatombaion.

Christine Downing comments that, "Pausanias's description of the love associated with Aphrodite Pandemos as dedicated only to sensual pleasure and therefore directed indifferently to women and men, and that associated with the Ouranian Aphrodite as "altogether male" and dedicated to the education of the soul of the beloved is actually an innovation—for Aphrodite Ourania was served in Corinth by prostitutes and Aphrodite Pandemos was the goddess as worshipped by the whole community."

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Ancient Agora of Athens in the context of Ancient Agora Museum

The Stoa of Attalos (also spelled Attalus; Greek: Στοά του Αττάλου) was a stoa (covered walkway or portico) in the Agora of Athens, Greece. It was built by and named after King Attalos II of Pergamon, who ruled between 159 and 138 BC. The building was reconstructed from 1952 to 1956 by the American School of Classical Studies at Athens and currently houses the Museum of the Ancient Agora.

The museum's exhibits are mostly connected with the Athenian democracy. The collection of the museum includes clay, bronze and glass objects, sculptures, coins and inscriptions from the 7th to the 5th century BC, as well as pottery of the Byzantine period and the Turkish conquest.

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Ancient Agora of Athens in the context of Deme

In Ancient Greece, a deme or demos (Ancient Greek: δῆμος, plural: demoi, δῆμοι) was a suburb or a subdivision of Athens and other city-states. Demes as simple subdivisions of land in the countryside existed in the 6th century BC and earlier, but did not acquire particular significance until the reforms of Cleisthenes in 508 BC. In those reforms, enrollment in the citizen-lists of a deme became the requirement for citizenship; prior to that time, citizenship had been based on membership in a phratry, or family group. At this same time, demes were established in the main city of Athens itself, where they had not previously existed; in all, at the end of Cleisthenes' reforms, Athens was divided into 139 demes. Three other demes were created subsequently: Berenikidai (224/223 BC), Apollonieis (201/200 BC), and Antinoeis (AD 126/127). The establishment of demes as the fundamental units of the state weakened the gene, or aristocratic family groups, that had dominated the phratries.

A deme functioned to some degree as a polis in miniature, and indeed some demes, such as Eleusis and Acharnae, were in fact significant towns. Each deme had a demarchos who supervised its affairs; various other civil, religious, and military functionaries existed in various demes. Demes held their own religious festivals and collected and spent revenue.

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Ancient Agora of Athens in the context of Agora

The agora (/ˈæɡərə/; Ancient Greek: ἀγορά, romanized: agorá, meaning "market" in Modern Greek) was a central public space in ancient Greek city-states. The literal meaning of the word "agora" is "gathering place" or "assembly". The agora was the center of the athletic, artistic, business, social, spiritual, and political life in the city. The Ancient Agora of Athens is the best-known example.

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Ancient Agora of Athens in the context of Stoa Poikile

The Stoa Poikile (Ancient Greek: ἡ ποικίλη στοά, hē poikílē stoá) or Painted Portico was a Doric stoa (a covered walkway or portico) erected around 460 BC on the north side of the Ancient Agora of Athens. It was one of the most famous sites in ancient Athens, owing its fame to the paintings and war-booty displayed within it and to its association with ancient Greek philosophy, especially Stoicism.

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Ancient Agora of Athens in the context of Archaeology museum

An archaeology museum is a museum that specializes in the display of archaeological artifacts.

Many archaeology museum are in the open air, such as the Ancient Agora of Athens and the Roman Forum. Others display artifacts inside buildings, such as National Museum of Beirut and Cairo's Museum of Egyptian Antiquities. Some display artifacts both outside and inside, such as the Tibes Indigenous Ceremonial Center.

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Ancient Agora of Athens in the context of Persecution of pagans in the late Roman Empire

Persecution of pagans in the late Roman Empire began during the reign of Constantine the Great (r.306–337) in the military colony of Aelia Capitolina (Jerusalem), when he destroyed a pagan temple for the purpose of constructing a Christian church. Rome had periodically confiscated church properties, and Constantine was vigorous in reclaiming them whenever these issues were brought to his attention. Christian historians alleged that Hadrian (2nd century) had constructed a temple to Venus on the site of the crucifixion of Jesus on Golgotha hill in order to suppress Christian veneration there. Constantine used that to justify the temple's destruction, saying he was simply reclaiming the property. Using the vocabulary of reclamation, Constantine acquired several more sites of Christian significance in the Holy Land.

From 313, with the exception of the brief reign of Julian, non-Christians were subject to a variety of hostile and discriminatory imperial laws aimed at suppressing sacrifice and magic and closing any temples that continued their use. The majority of these laws were local, though some were thought to be valid across the whole empire, with some threatening the death penalty, but not resulting in action. None seem to have been effectively applied empire-wide. For example, in 341, Constantine's son Constantius II enacted legislation forbidding pagan sacrifices in Roman Italy. In 356, he issued two more laws forbidding sacrifice and the worship of images, making them capital crimes, as well as ordering the closing of all temples. There is no evidence of the death penalty being carried out for illegal sacrifices before Tiberius Constantine (r.578–582), and most temples remained open into the reign of Justinian I (r.527–565). Pagan teachers (who included philosophers) were banned and their license, parrhesia, to instruct others was withdrawn. Parrhesia had been used for a thousand years to denote "freedom of speech." Despite official threats, sporadic mob violence, and confiscations of temple treasures, paganism remained widespread into the early fifth century, continuing in parts of the empire into the seventh century, and into the ninth century in Greece. During the reigns of Gratian, Valentinian II and Theodosius I anti-pagan policies and their penalties increased.

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